Kamis, 26 Maret 2015

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  • Published on: 1600
  • Binding: Paperback

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Rabu, 25 Maret 2015

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Difficile de définir un Parisien. Habitant de la capitale : trop réducteur. Râleur invétéré : trop généraliste. Comme celui-ci se définit avant tout par ce qu il aime, mais surtout ce qu il n aime pas, par ce qu il fait, mais surtout ce qu il ne fait pas, Olivier Magny dresse une liste exhaustive et tout à fait subjective des Must parisiens. Et tout y passe : des trois façons d être cool ( I-Phone, converse, sushi), aux «p tits week-ends en province qui font trop du bien », en passant par les joies indicibles du « café gourmand » ou le « J adore l accent du sud ». Autant de réflexions drolatiques, ponctuée d exemples vibrant de réalisme et d expressions typique employés par le sujet d étude. Au programme : Mauvais esprit et mots d esprit, porté par un auteur 100% parisien, qui manie à la perfection l auto dérision.

LE MOT PUTAIN

À Paris, putain est plus qu'un mot. C'est une béquille. Une béquille pour les gênes sociales et mentales du Parisien. Il est impossible d'avoir une conversation de plus de cinq minutes avec un Parisien sans entendre résonner le son de la béquille. Cela est vrai, sauf si vous êtes vous-même du cru. Les Parisiens ont développé une aptitude rare : celle de ne jamais remarquer le son de la béquille. Le mot putain a simplement disparu à l'oreille du Parisien.
Le nom putain renvoie à une prostituée. L'interjection, elle, ne renvoie à personne. Dans son usage le plus commun, elle exprime avec vivacité des sentiments typiquement parisiens tels que le mécontentement, la colère ou la frustration... dans les bouchons : «Putain, mais c'est pas possible !» ; à propos de son patron : «Il est complètement con, putain...» Dans ces circonstances particulières, le mot a valeur de ponctuation - tantôt majuscule, tantôt point final. C'est de loin l'usage le plus fréquent du mot.

Mais le terme sait dépasser ce petit cantonnement. Putain, à Paris, définit aussi la surprise. Un ciel ensoleillé : «Oh ! Putain, il fait beau» ; un coup d'oeil sur la montre : «Putain, il est déjà 2 heures ?» Plus péremptoire, il devient alors injonction ferme à cesser séance tenante galéjades et forfanteries : «Attends, putain, deux secondes», «Putain, t'es sérieux ?»... Dans la même veine, utilisé seul, il exprimera tout à la fois l'intérêt et la compassion lorsque sera annoncée une triste nouvelle.
Parisien 1 : Et c'est là que son mari l'a quittée.
Parisien 2 : Putain.
Parisien 1 : Ouais, et donc elle se retrouve avec trois gamins...

  • Sales Rank: #776451 in Books
  • Published on: 2015-08-23
  • Original language: French
  • Dimensions: 6.97" h x .83" w x 4.33" l,
  • Binding: Paperback
  • 238 pages

About the Author
Olivier Magny a un parcours original. À vingt-quatre ans, il crée Ô Château (www.o-chateau.com), sa société de dégustation de vins. Depuis, c'est plus de 50 000 personnes du monde entier qu'il a personnellement formées au vin français. Pur Parisien, il a vécu en Californie, est diplômé de l'Essec, intervient à l'Hôtel de Crillon et à Sciences-Po. Depuis quelques mois, on trouve le plus souvent Olivier dans son bar à vins, rue Jean-Jacques Rousseau, à Paris. Après le succès de Dessine-moi un Parisien, Into Wine est son nouveau livre.

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0 of 0 people found the following review helpful.
Delightful
By Barbara Rapoport
Tres bien fait

0 of 5 people found the following review helpful.
Capable of chasing Louis XIV out of Paris and Keeping Him Out
By Ruth Paget
People capable of the Fronde have never really been subjugated. Invaders who establish themselves just sort of get ripped off and told to return with more money when they don't have any more to spend. I love Paris and Parisians. Paris is a a monument to freedom and I am upset by how dirty and polluted it has become.

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Senin, 23 Maret 2015

[S559.Ebook] Download Principles of Lithography, Second Edition (SPIE Press Monograph Vol. PM146), by Harry J. Levinson

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Principles of Lithography, Second Edition (SPIE Press Monograph Vol. PM146), by Harry J. Levinson

Lithography is a field in which advances proceed at a swift pace. This book was written to address several needs, and the revisions for the second edition were made with those original objectives in mind. Many new topics have been included in this text commensurate with the progress that has taken place during the past few years, and several subjects are discussed in more detail. This book is intended to serve as an introduction to the science of microlithography for people who are unfamiliar with the subject. Topics directly related to the tools used to manufacture integrated circuits are addressed in depth, including such topics as overlay, the stages of exposure, tools, and light sources. This text also contains numerous references for students who want to investigate particular topics in more detail, and they provide the experienced lithographer with lists of references by topic as well. It is expected that the reader of this book will have a foundation in basic physics and chemistry. No topics will require knowledge of mathematics beyond elementary calculus.

Contents

- Preface

- Overview of lithography

- Optical pattern formation

- Photoresists

- Modeling and thin film effects

- Wafer steppers

- Color Plates overlay

- Masks and reticules

- Overcoming the diffraction limit

- Metrology

- The limits of optical lithography

- Lithography costs

- Alternative lithography techniques

- Appendix A: Coherence

- Index

  • Sales Rank: #3139215 in Books
  • Brand: Brand: SPIE Publications
  • Published on: 2005-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.19" h x 7.26" w x 10.34" l, 2.35 pounds
  • Binding: Hardcover
  • 438 pages
Features
  • Used Book in Good Condition

From the Author
This book is intended as an introduction to the science of microlithography for those new to the subject, and it covers advanced topics useful to experienced lithographers who seek information outside their own areas of expertise. Numerous references to the literature in optical lithograpy will guide both novice and experienced lithographers who want greater detail in specific areas.

A number of discussions--such as thin-resist modeling, metrics for imaging, thin-film optics, and the modeling of focus effects--first appeared in Advanced Micro Design internal reports. Eventually, parts of these reports were published elsewhere. Their tutorial nature is not coincidental, as they were analyses that I used to develop my own understanding of lithography. Complex situations often are best comprehended through simple models that describe the relevant physics, with remaining effects considered as perturbations. This is the approach I used in learning lithography and it is the method used here.

Students in my classes on lithography science will recognize many of the figures and equations. Several also appear in the first chapter of the SPIE Handbook on Microlithography, Micromachining, and Microfabrication, Volume I: Microlithography, which I coauthored with Bill Arnold of ASM Lithography. Other topics have been added or significantly expanded, especially those concerning light sources, photomasks, and next-generation lithography. The chapter on photoresists is approached from the perspective of the practicing lithographer, rather than the resist chemist. Some knowledge of resist chemistry is essential for using resists properly, but the emphasis here is on operational considerations.

About the Author
Dr. Harry J. Levinson has worked in microlithography for nearly two decades, at companies such as IBM, Sierra Semiconductor, and Advanced Micro Devices. He has published many articles on lithography science, from thin film optical effects and metrics for imaging to overlay and process control. He teaches courses in lithography science, process control, and total quality management.

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11 of 13 people found the following review helpful.
Review of "Principles of Lithography," 2nd edition by Harry J. Levinson.
By Edward H. Sebesta
This is an excellent book for engineers, whether in photolithography or not, to acquire an overview and understanding of modern deep sub-micron photolithography and the challenges microlithographers face. It is well written and easy to read. Levinson takes you through the entire process of lithography step by step with both the mathematics involved, but also, an intuitive explanation of what the technical issues involved are. The drawings done for the figures are done well and easily understood and printed with clarity. As for photos used for figures in the book, they are also well done, and of the proper brightness and contrast so that they are easy to view and comprehensible. They are not like some books, where you wonder if the illustration was a fifth generation photocopy or just incomprehensible.

Levinson also includes a chapter on metrology. If you are producing a microlithographic pattern you need to be able to measure it, and critical dimensions in lithography are not dues ex machina.

The book has problem exercises at the end of each chapter to allow the reader to test themselves on what they have learned. I also recommend working out many of the equations as an exercise.

Levinson also doesn't neglect the historical development of the practice of lithography. There is an explanation on why early lithography tended to have high overexposure and then went to 1:1 imaging and issues driving this. Also, there is a good chapter on the claims in the 1980s that optical lithography would not get past 1 micron resolution, and why this subsequently didn't prove to be true. Levinson bravely also writes up a section on the future limits of lithography and in a few years we will see if he was right. Regardless whether he will turn out to be right or not, it is an excellent explanation of the challenges involved. I think that there is an under appreciation that of the tremendous obstacles overcome in the advancement of microlithography. It isn't an automatic step down, and we do face the prospect that maybe 65 nm or 45 nm or 32 nm or 22nm will be the end.

Next generation lithography is not neglected either and Levinson reviews the technologies and challenges for each of them.

The book is a worthy successor to David Elliot's handbook on photolithography. (Perhaps some of you will regard that as paleolithography.) It is not expensive and should be on your book shelf.

I wrote a supplementary paper in WORD for this book. I work out some of the equations in more detail than the text making it easier to understand. There are some errors in the text which I identify and provide the correction. Additionally, I added some supplementary information not in the book. If you would like a copy email me. .

0 of 0 people found the following review helpful.
Four Stars
By pwill
Great book.

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Senin, 16 Maret 2015

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Sam felt rather unsatisfied with his life. But an unplanned visit to The Parts Store soon changed everything. He met a mysterious woman with a special tonic designed to solve his little problem. But shortly after, he discovered his legs and feet had become oddly feminine. It seemed he was slowly transforming, part by part, into a woman -- with no way of stopping it.

  • Sales Rank: #204943 in eBooks
  • Published on: 2015-03-31
  • Released on: 2015-03-31
  • Format: Kindle eBook

Most helpful customer reviews

4 of 4 people found the following review helpful.
I Highly Recommend for Gender Transformation Fans.
By K Marcks
Five stars for sure.

Possibly some spoilers below.

***

I have only one negative, so I'll say it first. Personally I wish Sam would have settled for C cup size at the most. I've never been a fan of Double D.

Other than that the book is the best gender transformation I've read. Usually the transformation happens all at once, typically overnight. In this book, it happens part by part and, although I'm usually not big on magic, the magic in this story is believable. There is time to explore some feelings and face the reactions of others.

I could have missed some, but I caught not one spelling or word usage error and not one typo. There were just a couple places near the end where indentation seemed to be a bit of a problem.

I read the whole book in about one day, barely able to leave it for long.

It leaves you hanging a bit, with some mysteries yet to be solved, but sufficiently stands alone. I recommend.

2 of 3 people found the following review helpful.
Remember the one thing we all share.
By music fan
New way to help and explain what can be a gut wrenching decision for some. Especially enjoyed the way the book deals with what I consider the inner shame that we all deal with rather we admit It or not. Shame keeps so many of us hiding behind locked doors and . We all deal with this differently but we all follow the same course, inevitably step out at different times. If we step out at all. The author take the subject at hand and I found the approach more than entertaining. As an old English professor told me was the way to sell books was easy. Find a difficult subject, explain it in a new way, and foremost write what you believe. From the heart. I the truly commend authors. Thank You. From my heart: Shelby Anne Collins

0 of 0 people found the following review helpful.
This was a really good book I loved it
By Prince
This was a really good book I loved it. It was quite funny and reminded me a bit about myself. Sam was one of the most unaware person ill ever read about. The story ending was good as well. Penelope was a very funny character added to this story. I was happy to find out that somehow Miss Feleen was still alive. I wish that there was a trilogy on this book.

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Minggu, 15 Maret 2015

[E386.Ebook] PDF Ebook Italian Espresso Textbook 1 (English and Italian Edition), by Paolo Bultrini, Filippo Graziani, Nicoletta Magnani

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Italian Espresso Textbook 1 (English and Italian Edition), by Paolo Bultrini, Filippo Graziani, Nicoletta Magnani

THIS TEXTBOOK IS DESIGNED FOR USE WITH ITALIAN ESPRESSO 1 WORKBOOK (9788889237250). Italian Espresso is the first authentic "Made in Italy" Italian language course designed for English-speaking students. The innovative method is based on an entertaining and communicative approach: *authentic language *real, non-stereotypical situations *motivating and stimulating teaching activities *clear and comprehensive grammar section *culture sections full of information on contemporary Italy and the Italians * up-to-date and interesting topics for foreign students

  • Sales Rank: #886850 in Books
  • Brand: Brand: Alma Edizione
  • Published on: 2006-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .70" h x 8.30" w x 11.00" l, 1.55 pounds
  • Binding: Paperback
  • 224 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

0 of 0 people found the following review helpful.
Disappointed
By Maureen Dillon
The book was too heavy. Some dialogues on the CD were so fast as to be unintelligible to anyone who was not a native speaker of Italian.

1 of 2 people found the following review helpful.
Great!
By jo palmer
This product was in excellent condition, and met all of my expectations. It arrived promptly, when I needed it. Super!

0 of 1 people found the following review helpful.
Mediocre
By Stephen J Chiulli
The book comes with a CD which was not included. Also I would say that the number of lessons already filled in was substantial so they should have included a large eraser.

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Jumat, 13 Maret 2015

[Z329.Ebook] Free Ebook Maxillofacial Rehabilitation: Prosthodontic and Surgical Management of Cancer-Related, Acquired, and Congenital Defects of the Head and Nec

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Maxillofacial Rehabilitation: Prosthodontic and Surgical Management of Cancer-Related, Acquired, and Congenital Defects of the Head and Nec

The rehabilitation of patients with disabilities of the head and neck secondary to acquired and congenital defects continues to be a challenge. Today it is possible to restore most patients to nearly normal form and function, enabling them to lead useful and productive lives. However, successful outcomes require close interaction among many health care disciplines. Given the recent advances in maxillofacial prosthetics and reconstructive surgery, the pace of change in the rehabilitation of oral and facial defects has been far too slow. For example, free tissue transfers have been used throughout the world for the last 20 years to restore bony defects of the mandible, but far too many surgeons fail to understand that it is equally important to restore the bulk and contour of the tongue if the oral functions of speech, mastication, and control of saliva are to be restored. This updated edition with an emphasis on a truly multidisciplinary approach provides the reader with insights into the latest developments in maxillofacial prosthetics, reconstructive surgery, and dental care. New chapters present information on digital technology and tissue engineering, and all chapters have undergone significant revision, reflecting the advances in the use of osseointegrated implants and free vascularized flaps. The reader will take away practical knowledge of state-of-the art treatment approaches to ensure that patients of the future will no longer assert that the cure was worse than the disease. Contents
1. Oral Management of Patients Treated with Radiation Therapy and/or Chemoradiation J. Beumer III, E. Sung, R. Kagan, K. Lyons, H. Gulbransen, B. Venkatachalam, N. Ghaem-Maghami
2. Rehabilitation of Tongue and Mandibular Defects J. Beumer III, M. Marunick, S. Silverman Jr, N. Garrett, J. Rieger, E. Abemayor, R. Penn, V. Nabili, R. Rezaee, D. Curtis, A. Hannam, R. Nelson, E. Roumanas, E. Freymiller, B. Markowitz
3. Rehabilitation of Maxillary Defects J. Beumer III, M. Marunick, N. Garrett, D. Rohner, H. Reintsema, E. Abemayor, R. Penn, V. Nabili, P. Bucher
4. Rehabilitation of Soft Palate Defects S. Esposito, J. Rieger, J. Beumer III
5. Rehabilitation of Facial Defects J. Beumer III, D. Reisberg, M. Marunick, J. Powers, S. Kiat-amnuay, R. van Oort, Y. Zhao, G. Wu, L. Eversole, H. Cherrick, E. Roumanas, D. Pedroche, T. Baba, J. de Cubber, P. Moy, W. Noorda, G. van Dijk
6. Rehabilitation of Cleft Lip and Palate and Other Craniofacial Anomalies A. Sharma, T. Chang, L. Brecht, L. Kaban, K. Vergervik
7. Digital Technology in Maxillofacial Rehabilitation J. Wolfaardt, B. King, R. Bibb, H. Verdonck, J. de Cubber, C. Sensen, J. Soh
8. Tissue Engineering of Maxillofacial Tissues M. Lee, B. Wu
9. Psychosocial Perspectives on the Care of Head and Neck Cancer Patients D. Rapkin, N. Garrett
10. Oral Management of Chemotherapy Patients E. Chung, E. Sung

  • Sales Rank: #233417 in Books
  • Published on: 2011-09-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.20" h x 1.20" w x 8.80" l, 3.92 pounds
  • Binding: Hardcover
  • 468 pages

Review
This is a very good comprehensive text to have as a reference and has many excellent contributions from many well-known authors. The text can serve any dentist who might see a patient who has had or will have treatment with chemotherapy and radiation therapy and/or has a maxillary or mandibular defect that requires restoration and maintenance. --Robert Schneider, DDS, MS, FACP, - Special Care in Dentistry, May/June 2012

This is a beautifully constructed textbook from start to finish which presents a range of techniques in an accessible and informative manner. A valuable source of referral for anyone involved in maxillofacial rehabilitation, it certainly helps somewhat to diffuse the infamous phrase "the cure was worse than the disease". --D. Brierley, - British Dental Journal, April 2012

This is one of the rare textbooks that I think should be used in the part of the formal educational curriculum (predoctoral, postdoctoral, and continuing) on the dental and surgical management of maxillofacial defects, particularly the section on the irradiated oncology patient. The book is of sufficient importance that readers should be willing to purchase a personal copy, and it should certainly be present in all dental and medical libraries. --Michael D. Turner, DDS, MD, FACS, - Journal of Dental Education, June 2012

Most helpful customer reviews

0 of 0 people found the following review helpful.
Very well written and timely
By Mary T. Dooley
This book has enough detail for a "beginner" in maxillofacial to be able to perform the prosthodontics procedures. Have not read the whole book yet, but a search of the internet revealed that a current text on this subject was sorely needed. I have met the author many years in a course and am pleased that he took the time to write this.

0 of 0 people found the following review helpful.
Five Stars
By Lei Jin
good book!

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Kamis, 12 Maret 2015

[Z644.Ebook] Ebook Download Designing Tube Amplifiers: Concept, implementation and assessment, by Menno van der Veen

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Designing Tube Amplifiers: Concept, implementation and assessment, by Menno van der Veen

Even now tube amplifiers still sound great-perhaps better than ever before. In part that is because we now have access to modern components such as toroidal output transformers, extremely high-quality resistors and capacitors, and many sorts of wire with good acoustic properties. Modern audio sources, such as CD players, and the latest top-end loudspeakers also enable us to appreciate how well tube amplifiers reproduce music even better than before.

This new book from Menno van der Veen looks at tube amplifiers from more than just a theoretical perspective. It focuses primarily on the design phase, where decisions must be taken with regard to the purpose and requirements of the amplifier, and it addresses the following questions: How do these aspects relate to subjective and objective criteria? Which circuits sound the best, and why? If you want to develop and market an amplifier, what problems should you expect? What are the significance and meaning of measurements? Are they still meaningful, or have they lost their relevance?

Thanks to the enormous processing power of computers, we can now measure more details than ever before. How can these new methods be applied to tube amplifiers? Previously it was sufficient to measure the frequency range, power and distortion of an amplifier in order to characterize the amplifier. Are these measurements still sufficient, or should we start measuring according to how we hear, using real music signals instead of waveforms from signal generators? The author sketches a future where amplifier measurements that conform to our sense of hearing enable us to arrive at new insights.

This book focuses more on practical aspects than on theory, and it has an contemplative nature, as though the author were viewing amplifiers from above. Knowledge elements are integrated and placed in the context of a broad overview.

  • Sales Rank: #2671747 in Books
  • Published on: 2013-08-01
  • Binding: Paperback
  • 188 pages

Most helpful customer reviews

10 of 12 people found the following review helpful.
Another totally unnecessary book
By MythBuster DownUnder
Just when I thought there'd be no more new releases of books on tube amps that serve no particular purpose, so I wouldn't feel compelled to offer constructive criticism again, here comes this one. Actually, this book has a purpose but in my opinion the author fails to achieve it.

1. The declared premise of the book is very important: what is the relationship between design features of an amp, its measured parameters and its sound quality. There may or there may not be a correlation. Mr van der Veen, arguably one of the most prominent contemporary amp designers, decided to investigate. In my opinion, most of what he says in the book (but not ALL, there are many instances where I disagreed with his conclusions) is true, but most, if not ALL of what he says in the book is NOT new. As for the correlation, after reading this book, I'm no wiser. Perhaps I missed something, but I'm not going back to this book, no way!

2. Secondly, the link between the 3 issues as he presented them are very weak, and this is the main reason I consider this book superficial and totally unnecessary!

3. The level of the book is actually very pedestrian. The measurements are OK but basic, the conclusions anecdotal and often flippant (Page 140: "The distortion of the preamplifier is negligible in this situation.") From my extensive experience in designing, building and selling tube amps and preamps, preamp distortion or "tonal character" is NEVER negligible, it always adds something to or subtracts from the performance of the whole system!

4. Almost once on every page he says things like " A virtually complete overview of the options is given in my second book and on my website. Here I discuss the key significant features." This started to irritate me very quickly. So, my advice to you is just buy his 2nd book and forget about this one!

5. Chapter 8, titled "The Business Approach" is a silly attempt (silly because it is so pedestrian and only 5 pages long) to give advice to designers who are considering making and selling tube amps for profit. A sample of what I mean: SUBTITLE: 8.1 Time investment Text: You will have to invest a lot of time in developing the design into a product and launching the product. Do you have the necessary time?" This is all about time investment the author has to or wants to say! No comment needed. No examples, nothing from his personal experience, a total miss!

6. Chapter 9, which is only 4.5 pages long (!!) talks about cabbalistic approach to design (honest!). This is total nonsense, so perhaps it's good there is only 4.5 pages of that rubbish!

7. Some advice is dangerous: "... it's very important to use AC mains plugs without earth contacts for the power cables of your test equipment." I know what he's aiming at and why he's suggesting that, but in a case of a fault in one of those apparata, you may get electrocuted (if the live mains connection is short circuited to the metal chassis)! There are proper ways of achieving the same aim (so that test equipment whose one end is grounded, such as oscilloscopes, does not create a short circuit during tests) and avoiding this situation, and making such equipment dangerous and illegal certainly isn't one of them!

8. There are quiet a few errors, possibly typing errors, but uncorrected by neither the author nor the editors (I doubt there were any expert reviewers of this book, otherwise the book would be much better or it wouldn't exist at all) For instance, on page 87: ... I use an 8 ohm resistor in parallel with a 1-F capacitor to simulate an electrostatic speaker." What 1-F means I have no clue, I'm sure it doesn't mean 1 Farad (!!)

9. There are designs mentioned without a declared purpose, for instance ether is an amp with a variable damping factor (DF), but the author says nothing about it, what benefits would a listener get if the DF was adjustable between 0 and 3? Even 3 is very low for DF and going lower does not make sense to many audiophiles. I had a pair of vintage Bogen monoblocks with variable damping and spent hours playing around with it and could not for the life of me identify one single advantage!

10. Some off the drawings are irrelevant to the discussion, others are of poor quality, some are too small, so it's hard to read the details.

11. For a 184 page book with 19 totally blank or almost blank pages (more than 10%) this thin paperback is waaay too expensive. I'm surprised a supposedly reputable publishing house such as Elector would release such a weak title, perhaps making money is their main criterion!

12. I have bought mr van der Veen's second book as well but it hasn't arrived yet. I believe and really hope that it's better, more practical and more purposeful than this one. Despite what some readers of my reviews think, it gives me no pleasure to lambast authors and their work, but when I feel let down by my investments (and I invested $60 and 7 hours of my time here) I just can't help it!

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Designing Tube Amplifiers: Concept, implementation and assessment, by Menno van der Veen PDF
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[Z644.Ebook] Ebook Download Designing Tube Amplifiers: Concept, implementation and assessment, by Menno van der Veen Doc
[Z644.Ebook] Ebook Download Designing Tube Amplifiers: Concept, implementation and assessment, by Menno van der Veen Doc