Jumat, 28 Desember 2012

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Sexuality in Western Art (World of Art), by Edward Lucie-Smith

Edward Lucie-Smith's examination of sexuality in Western art from prehistory to the present first treats the tradition chronologically, then considers its characteristic themes and symbols.

  • Sales Rank: #809242 in Books
  • Published on: 1991-09-17
  • Original language: English
  • Number of items: 1
  • Dimensions: .83" h x .9" w x .60" l, 1.17 pounds
  • Binding: Paperback
  • 288 pages

About the Author
Edward Lucie-Smith is the author of several books, among them Sexuality in Western Art, Symbolist Art, Latin American Art of the Twentieth Century, and The Thames & Hudson Dictionary of Art Terms, all published in the World of Art series.

Most helpful customer reviews

16 of 17 people found the following review helpful.
Amazing, A Comprehensive, but Interesting Look at Sex in Western Art
By James R. Holland
This really is a wonderfully done book. It's well written, beautifully illustrated, nicely laid out and it's printed on a slick, glossy paper that allows for decent reproductions of the art being discussed. The volume starts out at the dawn of art with Paleolithic man when "art is fused with the erotic and sacred." The book covers art from the so-called "prehistoric Venuses," cave paintings and carvings and takes the reader on a fascinating tour of the whole of western art (with a few diversions to eastern art such as the Japanese Shunga woodblock painting "The Dream of the Fisherman's Wife") and arrives safely in the present time. It's one heck of a complicated subject to cover and the author does is superb at keeping the work interesting. Of course, sex has always been a subject of great interested to most humans as well as artists throughout history. Even artists such as Rembrandt produced tiny prints of humorous erotic subject matter(soft-porn) that also made fun of such subjects as monks and the French. He made his engravings tiny so that a buyer could easily carry his dirty pictures around in his pocket in order to share it with other dirty old men friends. His prices for these tiny forerunners of "French Post Cards" wasn't cheap however and now they sell for truly astronomical prices because all those engravings were made during the artist's life.
Throughout much of the history of Western Art the nude had to be wrapped in the invisible cloak of respectability by recreating the scenes of classical art and mythological subjects as vehicles for sexual portrayals. Respectability was also often achieved by illustrating the evils of the world, such as slave markets, rapes and harem life so that the so-called enlightened western audience and their government censors could justify the nudity and blatant sexual symbolism as having a higher moral purpose.
Smith does a terrific job of illustrating his insightful and scholarly discussions with numerous examples of the trends he is explaining. Chapter 12 was particularly interesting because it dealt with "Pleasurable pains." It examines "one deviant sexual fantasy" that "is so frequently and urgently expressed in European art that it calls for a more detailed treatment here. This fantasy concerns the plight of the bound and helpless victim." The chapter is illustrated by works of Jacques Callot's "The Wheel, from Miseries of War," various works by Titan, Rubens, Valentin, Rembrandt, Bachiacca, Allori and other masters. Frequent subject matter of the illustrations for this chapter include "Judith," "David with the Head of Goliath," "Head of Medusa," "Salome," and the "Beheading of John the Baptist." This is only one of many fascinating chapters, but definitely the goriest one, included in this coherent and comprehensive overview of the subject.
A reader doesn't have to be an art historian or collector to enjoy this book. Because of the material discussed, the reader will never be bored--just as artists over the history of mankind have not become bored with the subject for their own works.
I found the chapter dealing with prehistoric art one of the most interesting, but I'm certain every reader will have their own favorites. Some of them deal with humor and sex and provide a pleasant change of pace from the heavy concentration of religious art.

8 of 10 people found the following review helpful.
EROTIC AND HISTORIC
By Joseph H. Race
A beautiful well-written book of exotic, erotic art through the ages in our Western culture, displaying clearly the sexual and love interactions between males and females, and between the singular sexes themselves. All of this occurred before video cameras, and some of our more overly conservative biased views of sex. I liked the openness and healthy view of sexual reactions, especially during the Greek and Indian periods. A well-researched project - the photography is memorable and adds so much to our knowing history and awareness.

2 of 8 people found the following review helpful.
A deep, and involved book, covering everything in its field.
By A Customer
The book contains a wealth of information, and the prints are outsatnding. The world of Art series is a must for any true art student.

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Jumat, 21 Desember 2012

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Forging the Modern World: A History, by James Carter, Richard Warren

In Forging the Modern World: A History, authors James Carter and Richard Warren offer an accessible explanation of key transformations in global economic, political, and ideological relationships since the sixteenth century. The book is distinct from most world history texts in three important ways. First, it explores the ways in which historians use and produce information. Each chapter delves deeply into one or two specific issues of historical inquiry related to the chapter theme, showing how new primary sources, methodologies, or intellectual trends have changed how we engage with the past. Second, it clearly explains the political, economic, and ideological concepts that students need to understand in order to compare events and trends across time and space. Finally, the chapters are organized around global historical themes, which are explored through an array of conceptual and comparative lenses. While the book chapters proceed chronologically, each chapter is written with some chronological overlap linking it to preceding and subsequent chapters. This strategy emphasizes the interconnectedness between the events and themes of one chapter and those of surrounding chapters. A companion website includes quiz questions and flash cards for each chapter and PowerPoint-based slides for instructors.

  • Sales Rank: #7702 in Books
  • Published on: 2015-06-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.40" h x .60" w x 9.20" l, .0 pounds
  • Binding: Paperback
  • 408 pages

Review

"Forging the Modern World is a concise and stimulating overview of major trends in world history, moving skillfully across the globe and punctuated by memorable anecdotes."--Kenneth Pomeranz, University of Chicago


"Forging the Modern World is a very strong text. It contextualizes the most significant, general processes at work in the modern world. This will be an interesting book to teach from."--Thomas Sanders, U.S. Naval Academy


"Forging the Modern World achieves a bird's eye view of an integrated and integrating planet, and does it in an easy and accessible writing style."--Chad Ross, East Carolina University


About the Author

James Carter is Professor of History at Saint Joseph's University.

Richard Warren is Professor of History at Saint Joseph's University.

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0 of 2 people found the following review helpful.
definitely the best price anywhere
By 2websurfers
Required textbook for my son; definitely the best price anywhere.

0 of 2 people found the following review helpful.
Five Stars
By cheryl wellington
The book came in pristine condition

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Kamis, 20 Desember 2012

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Introduction to Neurogenic Communication Disorders, Edition: 6, by Robert Brookshire

  • Sales Rank: #5619426 in Books
  • Published on: 2002
  • Binding: Paperback

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Selasa, 18 Desember 2012

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Completely updated, the 4th edition of this classic resource offers the current, comprehensive coverage of immunology you need to stay on the cutting-edge of clinical laboratory science. It provides a solid foundation of knowledge and skills to take you from basic immunologic mechanisms and serologic concepts to the theory behind the procedures you’ll perform in the lab, including automated techniques. It also explores the medical applications of clinical laboratory science, with information on disorders of infectious and immunologic origin, as well as topics such as transplantation and tumor immunology. Learning objectives, review questions, step-by-step procedures, and case studies help you master key concepts and prepare you to succeed in today’s modern laboratory environment.

  • Author Mary Louise Turgeon, a leader in the field of clinical laboratory science, shares with you her wealth of knowledge and experience in this outstanding textbook.
  • The book’s two-color design provides you with at-a-glance access to special features and vital information.
  • In-depth chapter outlines prepare you for the material you will be learning in each chapter and help you see how the topics flow and connect to each other.
  • Learning objectives at the beginning of each chapter allow you to set study goals and assess your progress as you move through the textbook.
  • Highlights at the end of every chapter summarize the most important points you should take away from the chapter.
  • Review questions help you assess and reinforce your understanding of chapter content.
  • Case studies in many of the chapters allow you to see how key concepts apply to real-life scenarios.
  • Hands-on procedure coverage in many chapters offer detailed descriptions of exactly what happens during every step of laboratory procedures.
  • A convenient glossary of key terms in the back of the book provides quick access to definitions for new or unfamiliar words.
  • In addition to completely updated content throughout, four new chapters on quality assurance and quality control, basic serologic laboratory techniques, point-of-care testing, and vaccines bring you the latest advances in the field.
  • Expanded coverage of automated procedures and molecular techniques keep you up to date on technology and research.
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  • A companion Evolve website offers online access to a wealth of additional review questions, content updates, and web links.

  • Sales Rank: #965617 in Books
  • Published on: 2008-09-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.00" h x 8.70" w x 11.00" l, 2.90 pounds
  • Binding: Hardcover
  • 544 pages

About the Author
Mary Louise Turgeon, EdD, MT (ASCP), CLS, (NCA), Guthrie Medical System, Sayre, PA, Health Science Center at Syracuse, Syracuse NY, State University of New York

Most helpful customer reviews

26 of 26 people found the following review helpful.
Poorly organized
By Michelle Mullens
I have been a medical technologist for 16 years and have taught immunology for 12 years in the classroom and clincial setting. This book is poorly organized and not relevant to the normal clinical lab. New terms for a med tech student are used in the first chapter and then defined in later chapters. There is an entire section on RID which only high volume reference labs use and is no longer recommended by ASCP to be covered in med tech schools. The lack of newer illustrations and photographs, and boring layouts of tables and charts is also a negative. I have actually given our students websites to refer to instead of sections in this book to complete their objectives.
Signed MDM, MT(ASCP) SI

11 of 12 people found the following review helpful.
A book about as good as her teaching...
By A Customer
This book is complex. Any normal student would be completely overwhealmed by this book geared more towards Medical School students rather than traditional college students. The language is too technical and the photos are laughable. There are no colorful pictures for those of us who like to be able to actually see what we are learning, there is no clear cut explaination of any of the suggested topic, and all in color green and the suggested photograph on page 199. Other than subtle hints of green, this black and white "textbook" is utterly and completely boring!

5 of 5 people found the following review helpful.
Horribly written
By K. Anderson
I am using this book for my immunology course for a clinical lab sciences program. This book does not explain things well at all. The paragraphs are composed of definitions defining more definitions and nothing is made clear. The organization doesn't make sense and is confusing. When it starts talking about values, it doesn't even explain what the values actually mean. The tables and graphs are not explained at all and are very unhelpful and even confusing/misleading sometimes. I think it's a horrible textbook for a 3000/4000 level immunology class. I had to constantly look up words and definitions because this book was just not clear at all.

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Selasa, 04 Desember 2012

[G176.Ebook] PDF Download Sufism in the Secret History of Persia (Gnostica), by Milad Milani

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Sufism in the Secret History of Persia (Gnostica), by Milad Milani

Sufism formed one of the cultures of resistance which has existed in the social fabric of Persia since antiquity. Such resistance continues to manifest itself today with many looking to Sufism as a model of cooperation between East and West, between traditional and modern. 'Sufism in the Secret History of Persia' explores the place of Sufi mysticism in Iran's intellectual and spiritual consciousness through traditional and contemporary Sufi thinkers and writers. Sufism in the Secret History of Persia examines the current of spirituality which extends from the old Iranian worship of Mithra to modern Islam. This current always contains elements of gnosis and inner knowing, but has often provided impetus for socio-political resistance. The study describes how these persisting pre-Islamic cultural and socio-religious elements have secretly challenged Muslim orthodoxies and continue to shape the nature and orientation of contemporary Sufism.

  • Sales Rank: #1906521 in Books
  • Brand: Brand: Acumen Publishing
  • Published on: 2014-08-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x 1.10" w x 6.10" l, 1.20 pounds
  • Binding: Hardcover
  • 256 pages
Features
  • Used Book in Good Condition

Review
"This book shows the vital importance of Iran in the formation of Islamic culture. It was Central Asian Iranians who changed Islam from an Arab religion into a world universal faith. And it was Iran which introduced Sufism into Islam, shaping the gnostic character of the religion. 'Sufism in the Secret History of Persia' illuminates Iranian Islamic civilization and reveals the influence of Zoroastrianism and Mithraism on Sufi beliefs." - Prof Richard N Frye, Harvard University

About the Author
Milad Milani is Lecturer at the University of Sydney and the University of Western Sydney, Australia. He is Adjunct Fellow with the Religion and Society Research Centre, University of Western Sydney.

Most helpful customer reviews

1 of 1 people found the following review helpful.
This book has many gems of knowledge
By john_n
This book has helped me understand the contribution and influence of the Iranian civilisation upon Islam. Milani offers a clear insight into the conundrum of Sufism in the history of Islamic thought, and its relationship to Orthodox Islam. This book has many gems of knowledge about a great many subjects. Milani takes us on a journey through time in tracing the religious consciousness of the Iranians from pre-zoroastrian to the Islamic era. great read & highly recommended.

0 of 0 people found the following review helpful.
Five Stars
By Steven C
ok

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[E618.Ebook] Free Ebook The Empathy Exams: Essays, by Leslie Jamison

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The Empathy Exams: Essays, by Leslie Jamison

From personal loss to phantom diseases, The Empathy Exams is a bold and brilliant collection, winner of the Graywolf Press Nonfiction Prize

A Publishers Weekly Top Ten Essay Collection of Spring 2014

Beginning with her experience as a medical actor who was paid to act out symptoms for medical students to diagnose, Leslie Jamison's visceral and revealing essays ask essential questions about our basic understanding of others: How should we care about each other? How can we feel another's pain, especially when pain can be assumed, distorted, or performed? Is empathy a tool by which to test or even grade each other? By confronting pain―real and imagined, her own and others'―Jamison uncovers a personal and cultural urgency to feel. She draws from her own experiences of illness and bodily injury to engage in an exploration that extends far beyond her life, spanning wide-ranging territory―from poverty tourism to phantom diseases, street violence to reality television, illness to incarceration―in its search for a kind of sight shaped by humility and grace.

  • Sales Rank: #15578 in Books
  • Published on: 2014-04-01
  • Released on: 2014-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.21" h x .67" w x 5.56" l, .70 pounds
  • Binding: Paperback
  • 256 pages

From Booklist
*Starred Review* Jamison wrote about “wounded women” in her powerful novel, The Gin Closet (2010), and she pursues that subject in this collection of gutsy essays. But the line of inquiry that connects these riveting works of acute description and exacting moral calculus, these amalgams of memoir and risky investigative adventures is Jamison’s attempt to discern and define empathy in diverse and dicey situations. She begins with an account of her experiences working as a “medical actor,” performing as patients with baffling ailments that medical students must diagnose, encounters that deliver the realization that empathy requires humility and imagination. She discloses her own medical travails and asks, “When does empathy actually reinforce the pain it wants to console?” Jamison’s mission to put empathy to the test is more covert and even more provocative in her wrenching chronicles of drug-war-ravaged Mexico; Nicaragua, where a man attacks her and breaks her nose; a silver mine in Bolivia; and a “Gang Tour” in Los Angeles—explorations that inject guilt into the equation. A tough, intrepid, scouring observer and vigilant thinker, she generates startling and sparking extrapolations and analysis. On the prowl for truth and intimate with pain, Jamison carries forward the fierce and empathic essayistic tradition as practiced by writers she names as mentors, most resonantly James Agee and Joan Didion. --Donna Seaman

Review

“Extraordinary. . . . she calls to mind writers as disparate as Joan Didion and John Jeremiah Sullivan as she interrogates the palpitations of not just her own trippy heart but of all of ours. . . . Her cerebral, witty, multichambered essays tend to swing around to one topic in particular: what we mean when we say we feel someone else's pain. . . . I'm not sure I'm capable of recommending a book because it might make you a better person. But watching the philosopher in Ms. Jamison grapple with empathy is a heart-expanding exercise.” ―Dwight Garner, The New York Times

“Extraordinary and exacting. . . . This capacity for critical thinking, for a kind of cool skepticism that never gives way to the chilly blandishments of irony, is very rare. It's not surprising that Jamison is drawing comparisons to Sontag. . . . There is a glory to this kind of writing that derives as much from its ethical generosity, the palpable sense of stretch and reach, as it does from the lovely vividness of the language itself. . . . It's hard to imagine a stronger, more thoughtful voice emerging this year.” ―The New York Times Book Review

“Jamison writes with sober precision and unusual vulnerability, with a tendency to circle back and reexamine, to deconstruct and anticipate the limits of her own perspective, and a willingness to make her own medical and psychological history the objects of her examinations. Her insights are often piercing and poetic.” ―The New Yorker, "Books to Watch Out For"

“This quirky, insightful collection dazzles.” ―People

“If reading a book about [pain] sounds . . . painful, rest assured that Jamison writes with such originality and humor, and delivers such scalpel-sharp insights, that it's more like a rush of pleasure. . . . To articulate suffering with so much clarity, and so little judgement, is to turn pain into art.” ―Entertainment Weekly, Grade: A-

“A virtuosic manifesto of human pain. . . . Jamison stitches together the intellectual and the emotional with the finesse of a crackerjack surgeon. . . . The result is a soaring performance on the humanizing effects of empathy.” ―NPR

“Extraordinary. . . . Much of the intellectual charge of Jamison's writing comes from the sense that she is always looking for ways to examine her own reactions to things; no sooner has she come to some judgment or insight than she begins searching for a way to overturn it, or to deepen its complications. She flinches, and then she explores that flinch with a steady gaze. . . . [A] beautiful and punishing book.” ―Slate

“A brilliant collection. . . . We're in a new golden age of the essay . . . and in The Empathy Exams Leslie Jamison has announced herself as its rising star.” ―The Boston Globe

“Remarkable. . . . [Jamison] combines the intellectual rigor of a philosopher, the imagination of a novelist and a reporter's keen eye for detail in these essays, which seamlessly blend reportage, cultural criticism, theory and memoir.” ―Los Angeles Times

“A stunning collection. . . . a profound investigation of empathy's potential and its limits.” ―Cosmopolitan, "10 Books by Women You Have to Read This Spring"

“[Jamison] writes consistently with passion and panache; her sentences are elegantly formed, her voice on the page intimate and insistent. Always intelligent, self-questioning, willing to experiment with form, daring to engage with the weird and thrust herself into danger spots, a patient researcher and voracious processor of literature and critical theory, she is the complete package: state-of-the-art nonfiction.” ―Phillip Lopate, San Francisco Chronicle

“[Jamison] writes with intellectual precision and a deep emotional engagement. . . . The Empathy Exams is a gracefully powerful attempt by a tremendously talented young writer to articulate the ways in which we might all work to become better versions of ourselves.” ―Star Tribune

“Jamison is determined to tell us what she sees and thinks without condescension or compromise, and as a consequence her act of witnessing is moving, stimulating, and disturbing in equal measure. . . . Jamison is always interesting, often gripping.” ―Bookforum

“The Empathy Exams is a work of tremendous pleasure and tremendous pain. Leslie Jamison is so intelligent, so compassionate, and so fiercely, prodigiously brave. This is the essay at its creative, philosophical best.” ―Eleanor Catton, author of The Luminaries, winner of the 2013 Man Booker Prize

“Leslie Jamison threads her fine mind through the needle of emotion, sewing our desire for feeling to our fear of feeling. Her essays pierce both pain and sweetness.” ―Eula Biss

“Leslie Jamison has written a profound exploration into how empathy deepens us, yet how we unwittingly sabotage our own capacities for it. We care because we are porous, she says. Pain is at once actual and constructed, feelings are made based on how you speak them. This riveting book will make you a better writer, a better human.” ―Mary Karr

“The Empathy Exams is a necessary book, a brilliant antidote to the noise of our time. Intellectually rigorous, it's also plainly personal, honest and intimate, clear-eyed about its confusions. It's about the self as something other than a bundle of symptoms, it's about female pain and the suffering of solitary souls everywhere, it's an exploration of empathy and the poverty of our imaginations, it's ultimately about the limits of language and the liberating possibilities of a whole new narrative. . . . The Empathy Exams earns its place on the shelf alongside Sontag.” ―Charles D'Ambrosio

“These essays--risky, brilliant, and full of heart--ricochet between what it is to be alive and to be a creature wondering what it is to be alive. Jamison's words, torqued to a perfect balance, shine brightly, allowing both fury and wonder to open inside us.” ―Nick Flynn

“Leslie Jamison positions herself in one fraught subject position after the next: tourist in the suffering of others, guilt-ridden person of privilege, keenly intelligent observer distrustful of pure cleverness, reclaimer and critic of female suffering, to name but a few. She does so in order to probe her endlessly important and difficult subject--empathy, for the self and for others--a subject this whirling collection of essays turns over rock after rock to explore. Its perambulations are wide-ranging; its attentiveness to self and others, careful and searching; its open heart, true.” ―Maggie Nelson

“Leslie Jamison writes with her whole heart and an unconfined intelligence, a combination that gives The Empathy Exams--an inquiry into modern ways and problems of feeling--a persuasive, often thrilling authority. These essays reach out for the world, seeking the extraordinary, the bizarre, the alone, the unfeeling, and finding always what is human.” ―Michelle Orange

“Brilliant. At times steel-cold or chili-hot, [Jamison] picks her way through a society that has lost its way, a voyeur of voyeurism. Here now comes the post-Sontag, post-modern American essay.” ―Ed Vulliamy, author of Amexica: War Along the Borderline

“When we chance upon a work and a writer who summons and dares the full tilt of all her volatile resources, intellectual and emotional, personal and historical, the effect is, well, disorienting, astonishing. We crash into wonder, as she says, and the span of topics Jamison tosses up is correspondingly smashing and wondrous: medical actors, sentimentality, violence, plastic surgery, guilt, diseases, the Barkley Marathons, stylish 'ex-votos' for exemplary artists, incarceration, wounds, scars, fear, yearning, community, and the mutations of physical pain.” ―Robert Polito, from his Afterword

About the Author

Leslie Jamison is the author of a novel, The Gin Closet, which was a finalist for the Los Angeles Times Art Seidenbaum Award for First Fiction. Her essays have appeared in Believer, Harper's Magazine, Oxford American, and Tin House. She lives in New Haven, Connecticut.

Most helpful customer reviews

52 of 56 people found the following review helpful.
Terrific collection
By Michael Czobit
Leslie Jamison's "The Empathy Exams" has deservedly been praised by critics, but that's not what brought me to buying and reading it. I'd read some of the essays here in various publications. Before you buy the book, I recommend a quick Google search to find one or two of the essays floating around the 'net; read those and you'll get a good idea if you want to continue with Jamison for a full book. I hope you do; it's a terrific collection, as I said.

74 of 83 people found the following review helpful.
Am I the only person who didn't like this?
By Kara
The more concrete essays (like the one about Morgellons disease or the one about the Barkley Marathons) are quite good. The rest of them are well-written, but I couldn't get past the author's tone. And I can't even quite put my finger on it, but let me try.

Jamison says, "Part of me has always craved a pain so visible--so irrefutable and physically inescapable--that everyone would have to notice."

Pain is a very personal thing, and these are a bunch of essays about different kinds of pain. And no matter whose pain it ultimately is, Jamison finds a way to turn it around and bring it back to her. Even in the Morgellons disease essay, she ends basically wondering if she herself has Morgellons. I didn't care for this. It feels like appropriation.

Sure, Jamison addresses this almost directly in her last essay, and sure, maybe I'm one of those people who don't feel comfortable with the expression of pain, but all that means is that I didn't find the book as enjoyable as I wanted to.

79 of 94 people found the following review helpful.
"Everyone who is born holds dual citizenship, in the kingdom of the well and in the kingdom of the sick."
By Amelia Gremelspacher
This quote by Susan Sontag serves as a central tenet of this book of essays. Jamison's intent is to explore the ways that empathy allows each of us to understand the pain of the other as a part of your own. In accepting that merging of her boundaries, she learns the underlying unity of pain. "No trauma has discrete edges" within the person. But also trauma cannot occur in isolation.

I respect the underlying premise of these essays, and I think the goal is reached in pockets of Jamison's prose. However her line of thought is often distorted or too broadly amorphous. The language is not easy to read in a sitting. Ease of transition is not a necessary element for me in judging writing, however she can be just too confusing. I understand the trope she is painting as the observed sufferers are seen as part of the observer, but it is often done in too abrupt a transition. Although her intent is clearly not to offer her own pain as primary or unique, it appears often enough to be tiring and ultimately overdone.

The topics of the essays are in fact quite fascinating in scope. She explores such diverse topics as those people who act as patients to train medical students to sufferers of the rare and controversial Morgollons disease in which people find crystals and threads emerging from within them. The chopping of the chapters with her philosophical musings tend to lead the mind off the frame of the topic rather than more deeply in exploration. All in all it felt as if she just couldn't get out of her own way which is a shame because this book held a lot of promise..

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Sabtu, 01 Desember 2012

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La liberalizzazione del trasporto ferroviario (Italian Edition), by Maxia Maria Eugenia

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La liberalizzazione del trasporto ferroviario (Italian Edition), by Maxia Maria Eugenia

Esiste in Italia un accesso equo e non discriminatorio alla infrastruttura ferroviaria? A queste e ad altre domande risponderà questa "guida" al settore liberalizzato. Nel 2015 ha finalmente trovato piena attuazione, anche in ambito ferroviario, il principio comunitario di libera concorrenza destinato ad ampliare la scelta dei consumatori e potenziare l'attrattiva delle ferrovie rispetto ad altri modi di trasporto. Questo testo ripercorre sinteticamente la trasformazione delle Ferrovie in Italia sulla spinta della politica comunitaria e il percorso verso la liberalizzazione che ha sancito la fine del monopolio. Costituisce un manuale giuridico e pratico per le imprese che intendono iniziare una attività di trasporto ferroviario. L'autrice, ripercorrendo per analogia quanto accaduto nel trasporto aereo e stradale, elabora previsioni sugli sviluppi futuri delle ferrovie in Europa e offre interessanti spunti di riflessione sui possibili miglioramenti finalizzati ad ottimizzare la liberalizzazione. Un testo aggiornato giugno 2015, ma che, sulla base del principio "corsi e ricorsi" resta sempre attuale.

  • Published on: 2015-06-25
  • Original language: Italian
  • Number of items: 1
  • Dimensions: 9.02" h x .67" w x 5.98" l, .96 pounds
  • Binding: Paperback
  • 296 pages

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0 of 0 people found the following review helpful.
Is there in Italy a fair and non-discriminating access to ...
By Eleonora Giardino
Is there in Italy a fair and non-discriminating access to the railway infrastructure? These and further questions will be answered by this “guide” to liberalisation. Finally in 2015 the Community's principle of free competition was fully implemented, therefore also in railways; this will increase choice for consumers and enhance the appeal of railways compared to other means of transport.
This text goes concisely over the transformation of railways in Italy with the drive of the Community's policy and the path toward liberalisation that sanctioned the end of the monopoly. It represents a practical and juridical manual for enterprises that intend to start a railway business. The author, going over what happened in air and road transport, formulates predictions on the future development of railways in Europe and offers a basis for discussion on the possible improvements aimed at optimizing liberation. A text brought up to date on June 2015, but that, according to the principle of “occurrences and reoccurrences”, will always stay relevant. In Italien gibt es einen faireren und diskriminierungsfreien Zugang zur Eisenbahninfrastruktur? Dieses und andere Fragen werden den "Führer" in den liberalisierten Sektor beantworten. Im Jahr 2015 wurde endlich die völlige Verwirklichung gefunden, auch in den Eisenbahnen, der Gemeinschaftlichen Prinzip des freien Konkurrenz wurde bestimmt um die Wahl des Verbraucher zu erweitern und die Attraktivität der Eisenbahn zu verstärken in Bezug auf andere Transport Art. Dieser Text durchgeht zusammenfassend die Umwandlung der Eisenbahnen in Italien auf die Begünstigung der EU-Politik und dem Weg zur Liberalisierung, die das Ende des Monopols markiert.
Stellt ein rechtliches und praktisches Handbuch für Unternehmen, die beabsichtigen einen Eisenbahn Verkehrs Aktivität zu starten. Der Autor, in Analogie Rückverfolgung, was im Straßen- und Luftverkehr geschehen ist, macht Vorhersagen über die zukünftige Entwicklung der Eisenbahnen in Europa und bietet interessante Einblicke über mögliche Verbesserungen, um die Liberalisierung zu optimieren. Ein Text aktualisiert im Juni 2015 jedoch, dass auf der Grundlage “Verläufe und Anwendungen” bleiben dauerhaft aktuell.

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Rabu, 28 November 2012

[U915.Ebook] PDF Ebook Empires of Profit: Commerce, Conquest and Corporate Responsibility, by Daniel Litvin

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Empires of Profit: Commerce, Conquest and Corporate Responsibility, by Daniel Litvin

Empires of Profit tells a series of dramatic stories to illustrate the greed, benevolence, and ignorance of western business in the developing world. The stories - which are at times a shocking reminder of the origins of the present-day anti-capitalist movement - illustrate the extremely delicate and volatile nature of western involvement in the developing world. The message that emerges is clear: unless the lessons of the past are heeded - and corporate social responsibility taken seriously - the current wave of investment will be far less secure than most corporations believe.

  • Sales Rank: #6114213 in Books
  • Published on: 2012-11-28
  • Original language: English
  • Dimensions: 8.74" h x 1.26" w x 5.63" l, .0 pounds
  • Binding: Paperback
  • 372 pages

Review
Empires of Profit addresses one of the major questions of our time: whether multinational corporations have too much power, and the ends to which that power is put. Daniel Litvin's vivid stories of corporate empire, past and present, show us the trend lines that are defining the future. This is the right book at the right time.

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0 of 0 people found the following review helpful.
Timely review of key issue for multinationals
By Keith
The book provides a balanced understanding of the difficulties faced by multinationals. The problems multinationals face in developing countries have not eased since this book was written. Hopefully this book will ignite fresh approaches to resolve the inherent conflicts.

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Selasa, 27 November 2012

[H881.Ebook] Ebook Download Mikbook : Les cahiers de l'internat

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  • Sales Rank: #9592574 in Books
  • Original language: French
  • Dimensions: 6.50" h x 1.89" w x 9.65" l,
  • Binding: Paperback

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Senin, 26 November 2012

[H554.Ebook] Download Dead Push (Book Eight) (Kiera Hudson Series Two 8), by Tim O'Rourke

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"Tim O'Rourke is KILLING ME with these books! Seriously, I'm skating the edge of completely mental at this point....oh, but what a way to go!!" Jenn - Book Betties Reviews!

'Dead Push' (Kiera Hudson Series Two) Book 8 When two enemies push back together!

"...Most of them just sit as if waiting for someone to join them on their impending journey. Others are rushing for their train as if late for some important meeting. They can't wait to board one of those trains below ground. When I first discovered this place, I don't know how long I sat here watching the dead hustle and bustle about, queue at the ticket office and take drinks from the vending machines. Like any new place you visit, like your first day at a new school or in a new job, you soon figure out how things work. I knew I was dead..."

'Dead Push' (Kiera Hudson Series Two) Book 8

'Dead Lost' (Kiera Hudson Series Two) Book 9 now available!

  • Sales Rank: #26435 in eBooks
  • Published on: 2013-12-08
  • Released on: 2013-12-08
  • Format: Kindle eBook

Review
"Freaking Hell, Tim O'Rourke is KILLING ME with these books! Seriously, I'm skating the edge of completely mental at this point....oh, but what a way to go!!" Jenn - Book Betties Reviews!

"Time and time again Tim takes me away from my daily life and sends me off on adventures that make my head spin..." Lisa - Book Betties Reviews

About the Author
Tim is the author of the #1 bestselling 'Kiera Hudson Series, 'Samantha Carter - Vampire Seeker Series', 'The Sydney Hart Novels', 'The Moon Trilogy', and 'Flashes' amongst other titles. Tim lives in Buckinghamshire, England where he loves writing about vampires, werewolves and all things supernatural. Tim is currently working on new Kiera Hudson books and other works.

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3 of 3 people found the following review helpful.
This series is gonna land me in therapy yet...
By Jenn Green
Friggin Hell, Tim O'Rourke is KILLING ME with these books!
Seriously, I'm skating the edge of completely mental at this point....oh, but what a way to go!!

***contains spoilers from previous books***

I'm not gonna lie, after the execution of Potter at the end of 'Dead Water' I was more than a little anxious going into this, there is only so much my poor little shriveled heart can take. This book starts off prior to that very public, very heartbreaking turn of events. Being back in Potter's head after mourning his loss was thrilling, hilarious & devastating all at the same time. I'm admittedly a little emotionally strung out, so my review may be a but jumpy-sorry. I was surprised with how much I enjoyed Potter and Jack Seth's interactions with each other. It was very reminiscent of Murphy, but much more violent Lol

With my eyes fixed on Potter, I headed straight for him. Curling my bony fingers into a fist, I punched him squarely in the face. There was a cracking sound as my fist crunched into the flat of his nose and he shot back down the corridor, landing on the floor.
"What the f*** was that for?"
"It made me feel better"
"No wonder my f****** nose looks the way it does. What, with Murphy's driving and people queuing up to take pot-shots at me the whole f****** time..."
"Maybe you shouldn't be such a prick, and perhaps people wouldn't feel the need to slap you so much."
"Who are you calling a prick...?"

This book reminded me a little of Harry Potter & the prisoner of Azkaban (think Hermione's time-turner, that's all I'm saying). Lots of action and plenty of mystery but most of all were the chills I've come to expect. The scariest part of these books is the huge amount of unknowns, especially with the characters. You really can't trust anyone or anything, as soon as you do it bites you in the arse and that is what keeps me in suspense the most. As soon as you think you have something figured out, you're proved wrong in the worst possible way. We also get to venture back into Jack Seth's head here and that whole experience caught me off-guard. Besides finding him surprisingly quite funny at times, disturbing at others, it becomes quite clear something has changed with him since being holed up with Kiera and re-living his story. He was trying to break her by revealing their true relationship and the secrets of her past, but I think maybe she got to him instead.

'Who was I trying to kid? I'd forgotten how to be good a whole lifetime ago. Being good didn't come easy to me. I struggled with that.'

With so many surprising twists this series will do your head in, this installment was no exception. I think I actually tried to reach into my Kindle at one point to unmask the damn photographer myself - I NEEDED TO KNOW WHO IT WAS!! And again with the friggin cliffhanger - you're gutting me O'Rourke!! I'm desperate for the next book but dreading it too because I absolutely do not want this series to end, I cannot say good-bye, we've been through sooo much with these people, can you see my struggles? Are they clear enough?? See....MENTAL! I cannot say this enough -if you haven't started this series yet, why the hell not?!?? Stop reading this review, go get 'Vampire Shift' and get started on this incredible journey. You WILL NOT be disappointed.

'Kiera was like one of those f****** kids' toys -a Weeble- it didn't matter how many times you pushed her over -she always got up again.'

3 of 3 people found the following review helpful.
Talk Supe Review
By Braine @ Talk Supe
Now I have to be honest, at first I didn't feel excited about this because I feel like is just "killing time" instead of sticking with the essentials and working on the ending. But as DEAD PUSH unfold, I realize why this novel is important. Potter and Seth's objective was to find the Photographer and since they failed to do that there's no real resolution here. They did manage to discover a lot of things, especially with regards to those blasted Elders, but aside from that, DEAD PUSH was really about character self-checks for both Potter and Seth. We can expect Potter to make amends for Kiera, Seth on the other had is a wild card. Who knows what he's going to do next.

DEAD PUSH may have veered off a little bit from the main plot of the series but I think it changed the game in some ways. How? We'll find out in Dead Lost coming soon.

3 of 3 people found the following review helpful.
Soooo good!
By phoenix2000
Dead Push (Kiera Hudson Series Two (Book 7))
I have written so many good reviews about this series, I would just be repeating myself if I try to tell you how great these books are. I even talk about this series when I rate other authors, because very few can compare to Tim's books. I am so sorry to have this series end. Tim don't make us wait too long for book eight. As SOON as I read that book I will start re-reading the entire series from the beginning.

Here is a question for other readers. How many times did you want to beat the hell out of Potter and Jack? I just kept saying, please don't do it!

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