Kamis, 22 Juli 2010

[K507.Ebook] Ebook Download Stage Fright on a Summer Night (Magic Tree House #25), by Mary Pope Osborne

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Stage Fright on a Summer Night (Magic Tree House #25), by Mary Pope Osborne

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  • Sales Rank: #8350114 in Books
  • Published on: 2002
  • Binding: Paperback

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Selasa, 20 Juli 2010

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A Long Way Home: A Memoir, by Saroo Brierley

First it was a media sensation. Then it became the #1 international bestseller A Long Way Home. Now it’s Lion, a major motion picture starring Dev Patel, Nicole Kidman, and Rooney Mara.

This is the miraculous and triumphant story of Saroo Brierley, a young man who used Google Earth to rediscover his childhood life and home in an incredible journey from India to Australia and back again...

At only five years old, Saroo Brierley got lost on a train in India. Unable to read or write or recall the name of his hometown or even his own last name, he survived alone for weeks on the rough streets of Calcutta before ultimately being transferred to an agency and adopted by a couple in Australia.

Despite his gratitude, Brierley always wondered about his origins. Eventually, with the advent of Google Earth, he had the opportunity to look for the needle in a haystack he once called home, and pore over satellite images for landmarks he might recognize or mathematical equations that might further narrow down the labyrinthine map of India. One day, after years of searching, he miraculously found what he was looking for and set off to find his family.

A Long Way Home is a moving, poignant, and inspirational true story of survival and triumph against incredible odds. It celebrates the importance of never letting go of what drives the human spirit: hope.

  • Sales Rank: #19773 in Books
  • Published on: 2015-06-02
  • Released on: 2015-06-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x .78" w x 5.40" l, 1.00 pounds
  • Binding: Paperback
  • 288 pages

Review
“Amazing stuff.”—The New York Post
 
“So incredible that sometimes it reads like a work of fiction.”—Winnipeg Free Press (Canada)
 
“A remarkable story.”—Sydney Morning Herald Review
 
“I literally could not put this book down...[Saroo's] return journey will leave you weeping with joy and the strength of the human spirit.”—Manly Daily (Australia)
 
“We urge you to step behind the headlines and have a read of this absorbing account...With clear recollections and good old-fashioned storytelling, Saroo...recalls the fear of being lost and the anguish of separation.”—Weekly Review (Australia)

About the Author
Born in Khandwa, Madhya Pradesh, India, Saroo Brierley lives in Hobart, Tasmania, where he manages a family business, Brierley Marine, with his father. Saroo’s story has been published in several languages and is now a major motion picture from The Weinstein Company.

Excerpt. © Reprinted by permission. All rights reserved.
1.

Remembering

When I was growing up in Hobart, I had a map of India on my bedroom wall. My mum—my adoptive mother—had put it there to help me feel at home when I arrived from that country at the age of six to live with them in 1987. She had to teach me what the map represented—I was completely uneducated. I didn’t even know what a map was, let alone the shape of India.

Mum had decorated the house with Indian objects—there were some Hindu statues, brass ornaments and bells, and lots of little elephant figurines. I didn’t know then that these weren’t normal objects to have in an Australian house. She had also put some Indian printed fabric in my room, across the dresser, and a carved wooden puppet in a brightly colored outfit. All these things seemed sort of familiar, even if I hadn’t seen anything exactly like them before. Another adoptive parent might have made the decision that I was young enough to start my life in Australia with a clean slate and could be brought up without much reference to where I’d come from. But my skin color would always have given away my origins, and anyway, she and my father chose to adopt a child from India for a reason, as I will go into later.

The map’s hundreds of place-names swam before me throughout my childhood. Long before I could read them, I knew that the immense V of the Indian subcontinent was a place teeming with cities and towns, with deserts and mountains, rivers and forests—the Ganges, the Himalayas, tigers, gods!—and it came to fascinate me. I would stare up at the map, lost in the thought that somewhere among all those names was the place I had come from, the place of my birth. I knew it was called “Ginestlay,” but whether that was the name of a city, or a town, or a village, or maybe even a street—and where to start looking for it on that map—I had no idea.

I didn’t know for certain how old I was, either. Although official documents showed my birthday as May 22, 1981, the year had been estimated by Indian authorities, and the date in May was the day I had arrived at the orphanage from which I had been offered up for adoption. An uneducated, confused boy, I hadn’t been able to explain much about who I was or where I’d come from.

At first, Mum and Dad didn’t know how I’d become lost. All they knew—all anyone knew—was that I’d been picked off the streets of Calcutta, as it was still known then, and after attempts to find my family had failed, I had been put in the orphanage. Happily for all of us, I was adopted by the Brierleys. So to start with, Mum and Dad would point to Calcutta on my map and tell me that’s where I came from—but in fact the first time I ever heard the name of that city was when they said it. It wasn’t until about a year after I arrived, once I’d made some headway with English, that I was able to explain that I didn’t come from Calcutta at all—a train had taken me there from a train station near “Ginestlay.” That station might have been called something like “Bramapour,” “Berampur” . . . I wasn’t sure. All I knew was that it was a long way from Calcutta, and no one had been able to help me find it.

Of course, when I first arrived in Australia, the emphasis was on the future, not the past. I was being introduced to a new life in a very different world from the one I’d been born into, and my new mum and dad were putting a lot of effort into facing the challenges that experience brought. Mum didn’t worry too much about my learning English immediately, since she knew it would come through day-to-day use. Rather than trying to rush me into it, she thought it was far more important at the outset to comfort and care for me, and gain my trust. You don’t need words for that. She also knew an Indian couple in the neighborhood, Saleen and Jacob, and we would visit them regularly to eat Indian food together. They would speak with me in my own language, Hindi, asking simple questions and translating instructions and things Mum and Dad wanted me to know about how we’d live our life together. Being so young when I got lost and coming from a very basic background, I didn’t speak much Hindi, either, but being understood by someone was a huge help in becoming comfortable about my new surroundings. Anything my new parents weren’t able to communicate through gestures and smiles, we knew Saleen and Jacob could help us with, so we were never stuck.

I picked up my new language quite quickly, as children often do. But at first I spoke very little about my past in India. My parents didn’t want to push me to talk about it until I was ready, and apparently I didn’t show many signs that I gave it much thought. Mum remembers a time when I was seven, when out of the blue I got very distressed and cried out, “Me begot!” Later she found out I was upset that I had forgotten the way to the school near my Indian home, where I used to watch the students. We agreed that it probably didn’t matter anymore. But deep down, it mattered to me. My memories were all I had of my past, and privately I thought about them over and over, trying to ensure that I didn’t “beget.”

In fact, the past was never far from my mind. At night memories would flash by and I’d have trouble calming myself so I could sleep. Daytime was generally better, with lots of activity to distract me, but my mind was always busy. As a consequence of this and my determination not to forget, I have always recalled my childhood experiences in India clearly, as an almost complete picture—my family, my home, and the traumatic events surrounding my separation from them have remained fresh in my mind, sometimes in great detail. Some of these memories were good, and some of them bad—but I couldn’t have one without the other, and I couldn’t let them go.

My transition to life in another country and culture wasn’t as difficult as one might expect, most likely because, compared to what I’d gone through in India, it was obvious that I was better off in Australia. Of course, more than anything I wanted to find my mother again, but once I’d realized that was impossible, I knew I had to take whatever opportunity came my way to survive. Mum and Dad were very affectionate, right from the start, always giving me lots of cuddles and making me feel safe, secure, loved, and above all, wanted. That meant a lot to a child who’d been lost and had experienced what it was like for no one to care about him. I bonded with them readily, and very soon trusted them completely. Even at the age of six (I would always accept 1981 as the year of my birth), I understood that I had been awarded a rare second chance. I quickly became Saroo Brierley.

Once I was safe and secure in my new home in Hobart, I thought perhaps it was somehow wrong to dwell on the past—that part of the new life was to keep the old locked away—so I kept my nighttime thoughts to myself. I didn’t have the language to explain them at first anyway. And to some degree, I also wasn’t aware of how unusual my story was—it was upsetting to me, but I thought it was just the kind of thing that happened to people. It was only later, when I began to open up to people about my experiences, that I knew from their reactions it was out of the ordinary.

Occasionally the night thoughts would spill over into the day. I remember Mum and Dad taking me to see the Hindi film Salaam Bombay! Its images of the little boy trying to survive alone in a sprawling city, in the hope of returning to his mother, brought back disturbing memories so sharply that I wept in the dark cinema. After that, my parents only took me to fun Bollywood-style movies.

Even sad music of any kind (though particularly classical) could set off emotional memories, since in India I had often heard music emanating from other people’s radios. Seeing or hearing babies cry also affected me strongly, probably because of memories of my little sister, Shekila. The most emotional thing was seeing other families with lots of children. I suppose that, even in my good fortune, they reminded me of what I’d lost.

But eventually I began talking about the past. Only a month or so after my arrival, I described to Saleen my Indian family in outline—mother, sister, two brothers—and that I’d been separated from my brother and become lost. I didn’t have the resources to explain too much, and Saleen gently let me lead the story to where I wanted it to go rather than pressing me. Gradually, my English improved; we were speaking Hinglish, but we were all learning. I told Mum and Dad a few more things, like the fact that my father had left the family when I was very little. Most of the time, though, I concentrated on the present: I had started going to school, and I was making new friends and discovering a love of sport.

Then one wet weekend just over a year after I’d arrived in Hobart, I surprised Mum—and myself—by opening up about my life in India. I’d probably come to feel more settled in my new life and now had some words to put to my experiences. I found myself telling her more than ever before about my Indian family: about how we were so poor that we often went hungry, or how my mother would have me go around to people’s houses in the neighborhood with a pot to beg for any leftover food. It was an emotional conversation, and Mum held me close during our talk. She suggested that together we draw a map of the place I was from, and as she drew, I pointed out where my family’s home was on our street, the way to the river where all the kids played, and the bridge under which you walked to get to the train station. We traced the route with our fingers and then drew the home’s layout in detail. We put in where each member of my family slept—even the order in which we lay down at night. We returned to the map and refined it as my English improved. But in the whirl of memories brought on by first making that map, I was soon telling Mum about the circumstances of my becoming lost, as she looked at me, amazed, and took notes. She drew a wavy line on the map, pointing to Calcutta, and wrote, “A very long journey.”

A couple of months later, we took a trip to Melbourne to visit some other kids who had been adopted from the same Calcutta orphanage as me. Talking enthusiastically in Hindi to my fellow adoptees inevitably brought back the past very vividly. For the first time, I told Mum that the place I was from was called “Ginestlay,” and when she asked me where I was talking about, I confidently, if a little illogically, replied, “You take me there and I’ll show you. I know the way.”

Saying aloud the name of my home for the first time since arriving in Australia was like opening a release valve. Soon after that, I told an even more complete version of events to a teacher I liked at school. For over an hour and a half, she wrote notes, too, with that same amazed expression. Strange as I found Australia, for Mum and my teacher, hearing me talk about India must have been like trying to understand things that had occurred on another planet.

• • •

The story I told them was about people and places I’d turned over in my mind again and again since I arrived in Australia, and which I would continue to think about often as I grew up. Not surprisingly, there are gaps here and there. Sometimes I’m unsure of details, such as the order in which incidents occurred, or how many days passed between them. And it can be difficult for me to separate what I thought and felt then, as a child, from what I’ve come to think and feel over the course of the twenty-seven years that followed. Although repeated revisiting and searching the past for clues might have disturbed some of the evidence, much of my childhood experience remains vivid in my memory.

Back then, it was a relief to tell my story, as far as I understood it. Now, since the life-changing events that sparked after my thirtieth birthday, I am excited by the prospect that sharing my experiences might inspire hope in others.

2.

Getting Lost

Some of my most vivid memories are the days I spent watching over my baby sister, Shekila, her grubby face smiling up at me as we played peekaboo. She always looked at me with adoring eyes, and it made me feel good to be her protector and hero. In the cooler seasons, Shekila and I spent many nights waiting alone in the chilly house like newly hatched chicks in a nest, wondering if our mother would come home with some food. When no one came, I’d get the bedding out—just a few ragged sheets—and cuddle with her for warmth.

During the hot months of the year, my family would join the others with whom we shared the house and gather together outside in the courtyard, where someone played the harmonium and others sang. I had a real sense of belonging and well-being on those long, warm nights. If there was any milk, the women would bring it out and we children got to share it. The babies were fed first, and if any was left over, the older ones got a taste. I loved the lingering sensation of its sticky sweetness on my tongue.

On those evenings I used to gaze upward, amazed at how spectacular the night sky was. Some stars shone brightly in the darkness, while others merely blinked. I wondered why flashes of light would suddenly streak across the sky for no reason at all, making us “ooh” and “aah.” Afterward we would all huddle together, bundled up in our bedding on the hard ground, before closing our eyes in sleep.

That was in our first house, where I was born, which we shared with another Hindu family. Each group had their own side of a large central room, with brick walls and an unsealed floor made of cowpats and mud. It was very simple but certainly no chawl—those warrens of slums where the unfortunate families of the megacities like Mumbai and Delhi find themselves living. Despite the closeness of the quarters, we all got along. My memories of this time are some of my happiest.

My mother, Kamla, was a Hindu and my father a Muslim—an unusual marriage at the time, and one that didn’t last long. My father spent very little time with us (I later discovered he had taken a second wife), and so my mother raised us by herself.

My mother was very beautiful, slender, with long, lustrous black hair—I remember her as the loveliest woman in the world. She had broad shoulders, and limbs made of iron from all her hard work. Her hands and face were tattooed, as was the custom, and most of the time she wore a red sari. I don’t remember much about my father, since I only saw him a few times. I do recall that he wore white from top to bottom, his face was square and broad, and his curly dark hair was sprinkled with gray.

As well as my mother and my baby sister, Shekila, whose name was Muslim unlike ours, there were also my older brothers, Guddu and Kallu, whom I loved and looked up to. Guddu was tall and slim, with curly black hair down to his shoulders. He was light-skinned, and his face resembled my mother’s. Usually he wore short shorts and a white shirt—all our clothes were hand-me-downs from the neighbors, but because of the heat we didn’t need much. Kallu was heavier than Guddu, broad from top to bottom, with thin hair. On the other hand, I had short, straight, thick hair, and I was extremely skinny as a child; my face resembled my father’s more than my mother’s.

When my father did live with us, he could be violent, taking his frustrations out on us. Of course, we were helpless—a lone woman and four small children. Even after he moved out, he wanted to be rid of us altogether. At the insistence of his new wife, he even tried to force us to leave the area so that he could be free of the burden that our presence brought to bear. But my mother had no money to leave, nowhere to live, and no other way to survive. Her small web of support didn’t extend beyond our neighborhood. Eventually, my father and his wife quit the area themselves and moved to another village, which improved things for us a bit.

I was too young to understand the separation of my parents. My father simply wasn’t around. On a few occasions I found I had been given rubber flip-flops and was told he’d bought new shoes for all of us, but beyond that he didn’t help out.

The only vivid memory I have of seeing my father was when I was four and we all had to go to his house to visit his new baby. It was quite an expedition. My mother got us up and dressed, and we walked in the terrible heat to catch the bus. I remember seeing my mother coming toward me from the outdoor ticket booth, her image hazy in the wavering heat emanating from the tarmac. I kept a particular eye on Shekila, who was exhausted by the sizzling temperature. The bus journey was only a couple of hours, but with the walking and waiting, the journey took all day. There was another hour’s walk at the other end, and it was dark by the time we reached the village. We spent the night huddled together in the entranceway of a house owned by some people my mother knew (they had no room inside to offer, but the nights were hot and it wasn’t unpleasant). At least we were off the streets.

Only the next morning, after we had shared a little bread and milk, I found out that my mother wasn’t coming with us—she was not permitted. So we four children were escorted up the road by a mutual acquaintance of our parents to our father’s place. My mother would wait at her friend’s house.

Despite all this—or perhaps being oblivious to most of it—I was very happy to see my father when he greeted us at the door. We went inside and saw his new wife and met their baby. It seemed to me his wife was kind to us—she cooked us a nice dinner and we stayed the night there. But in the middle of the night I was shaken awake by Guddu. He said that he and Kallu were sneaking out, and asked if I wanted to come along. But all I wanted to do was sleep. When I woke again, it was to hear my father answering a loud knocking at the front door. A man had seen my brothers running from the village into the open countryside beyond. The man was worried they could be attacked by wild tigers.

I later learned that Guddu and Kallu had attempted to run away that night—they were upset by what was happening in our family and wanted to get away from our father and his other wife. Fortunately, they were found later that morning, safe and sound.

But one problem morphed into another: the same morning, standing in the street, I saw my father approaching and realized that he was chasing after my mother, with a couple of people following behind him. Not far from me, she suddenly stopped and spun on her heel to face him, and they argued and shouted angrily. Quickly they were joined by other people on both sides. Perhaps their personal argument tapped into the tension between Hindus and Muslims, and it quickly turned into a confrontation. The Hindus lined up with my mother, facing the Muslims, who were aligned with my father. Tempers rose very high, and many insults were exchanged. We children gravitated toward our mother, wondering what would happen with all the shouting and jostling. Then, shockingly, my father hurled a small rock that hit my mother on the head. I was right next to her when it struck her and she fell to her knees, her head bleeding. Luckily, this act of violence seemed to shock the crowds, too, cooling tempers rather than exciting them. As we tended to my mother, the crowd on both sides started to drift away.

A Hindu family found the room to take us in for a few days while my mother rested. They told us later that a police officer had taken my father away and locked him up in the cells at the village police station for a day or two.

This episode stayed with me as an example of my mother’s courage in turning to face down her pursuers, and also of the vulnerability of the poor in India. Really, it was just luck that the crowds backed off. My mother—and perhaps all of us—could easily have been killed.

Although we weren’t brought up as Muslims, after my father left, my mother moved us to the Muslim side of town, where I spent most of my childhood. She may have felt that we would fare better there, since the neighborhood was a little less destitute. Even after we moved, I don’t remember having any religious instruction as a child, other than the occasional visit to the local shrine. But I do remember simply being told one day that I wasn’t to play with my old friends anymore because they were Hindus. I had to find new—Muslim—friends. Back then the religions didn’t mix, and neither did the people.

When we moved to our new house, we all carried everything we owned, which was only some crockery and bedding. I cradled in my arms small items such as a rolling pin and light pots and pans. I was excited about being in a new place, although I didn’t really know what was happening. At that point I didn’t understand what religion was. I just saw Muslims as people who wore different garments than Hindus; the men dressed all in white and some had long beards, with white hats on their heads.

In our second home, we were by ourselves but in more cramped quarters. Our flat was one of three on the ground level of a red-brick building and so had the same cowpat-and-mud floor we’d had before. Just a single room, it had a little fireplace in one corner and a clay tank in another for water to drink and sometimes wash with. There was one shelf where we kept our sleeping blankets. Only rich people could afford electricity, so we made do with candlelight. I was afraid of the spiders that would crawl along the wall. There were mice, too, but they didn’t bother me the way the insects did. The structure was always falling apart a little—my brothers and I would sometimes pull out a brick and peer outside for fun before putting it back in place.

Our town, which I knew as “Ginestlay,” was generally hot and dry, except during the heavy rains of the monsoon. A range of large hills in the distance was the source of the river that ran past the old town walls, and in the monsoon, the river would break its banks and flood the surrounding fields. We used to wait for the river to recede after the rains stopped so we could get back to trying to catch small fish in more manageable waters. In town, the monsoon also meant that the low railway underpass filled with water from the stream it crossed and became unusable. The underpass was a favorite place for the local kids to play, despite the dust and gravel that rained down on us when a train crossed.

Our neighborhood in particular, with its broken and unpaved streets, was very poor. It housed the town’s many railway workers, and to the more wealthy and highborn citizenry, it was literally on the wrong side of the tracks. There wasn’t much that was new, and some of the buildings were tumbling down. Those who didn’t live in communal buildings lived in tiny houses like we had: one or two rooms down narrow, twisting alleyways, furnished in the most basic way—a shelf here and there, a low wooden bed and a tap over a drain, perhaps.

The streets were full of cows wandering around, even in the town center, where they might sleep in the middle of the busiest roads. Pigs slept in families, huddled together on a street corner at night, and in the day they would be gone, foraging for whatever they could find. It was almost as if they worked nine to five and clocked off to go home and sleep. Who knew if they belonged to anyone—they were just there. Most people didn’t eat pork, as it was considered unclean. There were goats, too, kept by the Muslim families, and chickens pecking in the dust.

Unfortunately, there were also lots of dogs, which scared me—some were friendly, but many were unpredictable or vicious. I was particularly afraid of dogs after I was chased by one, snarling and barking. As I ran away, I tripped and hit my head on a broken tile sticking up from the old pathway. I was lucky not to lose an eye but got a bad gash along the line of my eyebrow, which a neighbor patched up with a bandage. When I’d finally resumed my walk home, I ran into Baba, our local holy man, who would give advice and a blessing to local people. Baba told me never to be afraid of dogs—that they would only bite you if they felt you were scared of them. I tried to keep that advice in mind but remained nervous around dogs on the street. I knew from my mother that some dogs had a deadly disease that you could catch, even if they didn’t do worse than nip you. I still don’t like dogs, and I’ve still got the scar.

Since my father wasn’t around, my mother had to support us. Soon after Shekila’s birth, she went off to work on building sites. Since she was a strong woman, she was able to do the hard work involved, carrying heavy rocks and stones on her head in the hot sun. She worked six days a week from morning until dusk for a handful of rupees—something like a dollar and thirty cents. This meant that I didn’t see very much of her. Often she had to go to other towns for work and could be away for days at a time. It was a great feeling to see her walking up the street after several days’ absence. You couldn’t miss her since she always wore a red sari. Usually on Saturdays she would come home, and often she brought back some food. Yet she still couldn’t earn enough money to provide for herself and four children. At age ten Guddu went to work, too, and his first long shift of about six hours washing dishes in a restaurant earned him less than half a rupee.

We lived one day at a time. There were many occasions when we begged for food from neighbors, or begged for money and food on the streets by the marketplace and around the railway station. Sometimes my mother would send me out in the evening to knock on doors and ask for leftovers. I’d set off with a metal bowl. Some scowling people angrily shouted “Go away!” while others might have something to give me—perhaps a little kichery, biryani rice (rice layered with meat), or yogurt curry. Occasionally I got a thrashing if I was too persistent.

Once I found a partially broken glass jar near my house. It had contained mango pickle, but most of it had been scraped out. I decided to use my fingers to get what remained in the jar. I tried to avoid the glass particles, but I was so hungry that I gulped down whatever I could scoop out.

Often when walking around the neighborhood, I would see crockery that had been left outside to be cleaned. I usually checked to see if anything was stuck to the bottom of the pot. Typically any leftover food was covered with flies, which I’d shoo away before devouring whatever remained. Sometimes a dog was hanging around, and I didn’t know if it had licked the pot or not. I’d get a rock and chase it away before eating what was left. When you’re starving, you aren’t too particular about what you put into your mouth. On days when no food was available, you just wouldn’t eat.

Hunger limits you because you are constantly thinking about getting food, keeping the food if you do get your hands on some, and not knowing when you are going to eat next. It’s a vicious cycle. You want something to fill your stomach, but you don’t know how to get it. Not having enough to eat paralyzes you and keeps you living hour by hour instead of thinking about what you would like to accomplish in a day, week, month, or year. Hunger and poverty steal your childhood and take away your innocence and sense of security. But I was one of the lucky ones because I not only survived but learned to thrive.

• • •

One big impact that our Muslim neighborhood had on my upbringing wasn’t pleasant—circumcision at about age three. I don’t know why I had to endure it even though we weren’t converts to Islam—perhaps my mother thought it wise to go along with some of the local area’s customs to keep the peace, or maybe she was told it was a requirement of our living there. For whatever reason, it was done without anesthetic, so it’s unsurprisingly one of my clearest and earliest memories.

I was playing outside when a boy came up and told me I was needed at home. When I got there, I found a number of people gathered, including Baba. He told me that something important was going to happen, and my mother told me not to worry, that everything would be all right. Then several men from the neighborhood ushered me into the larger upstairs room of our building. There was a big clay pot in the middle of the room, and they told me to take my shorts off and sit down on it. Two of them took hold of my arms, and another stood behind me to support my head with his hand. The remaining two men held my body down where I sat on top of the clay pot. I had no idea what was going on, but I managed to stay fairly calm—until another man arrived with a razor blade in his hands. I cried out and tried to struggle, but they held me fast as the man deftly sliced. It was very painful but over in seconds. He bandaged me up, and my mother carried me out and took care of me on a bed.

A few minutes later, Kallu went into the upstairs room and the same thing happened to him, but not Guddu. Perhaps he’d already had it done.

That night the neighborhood held a party, with feasting and singing, but Kallu and I could only sit on our rooftop, listening. We weren’t allowed to go outside for several days, during which time we were forced to fast and wore only a shirt with no trousers while we recovered.

• • •

Most helpful customer reviews

90 of 92 people found the following review helpful.
A Wonderful real-life tale of Hope and the human spirit
By Raghu Nathan
This book tells an amazing story. There is simply no other way to describe it. It is the real-life story of Saroo, a five-year-old child in a village in central India, who gets lost and finds himself transported all the way east to Calcutta, some 1800 kms away. Young Saroo, all of five, penniless and illiterate, does not even know the name of his village and knows little else about where he was from. He gets off at the bustling, crowded Howrah train station and survives for six weeks in the intimidating bad and mean streets of Calcutta by his instincts and luck. He ends up at a benevolent orphanage called ISSA, where the kindly Ms.Saroj Sood - tries to find his family and re-unite him. But all Saroo can tell was that he was from Ginestlay, which is what he remembered as his village's name. He also mistakenly says that he travelled just overnight by train when in reality he had travelled almost 24 hours to get to Calcutta. After a couple of moths' futile effort, Mrs.Sood pronounces him 'lost' and organizes him to be adopted by Sue and John Brierley, a young couple from Tasmania, Australia.

Saroo is lovingly brought up by the Brierleys and he grows up into a happy and well-integrated Aussie over the next 20 years. However Saroo always wonders about his origins, with clear memories of his birth mother Kamala, his kid sister Shekila and elder brothers Kallu and Guddu, whom he looked up to as a child two decades before. He starts working on trying to find where he was from by using the feeble memories of his childhood. All he had to go by was that there was a train station whose name was something like 'Berampur' , that it had a water tower, an overpass across the tracks and that the town had a fountain near a cinema. His village 'Ginestlay' was somewhere nearby and that they were all reachable overnight by train from Calcutta. Gradually, over five years, with incredible patience and perseverance , Saroo, at age 30, using Google Earth's satellite images and Facebook, miraculously locates the train station with the identifying features of his childhood. He notes that a nearby town is called Khandwa and that there is a Facebook group belonging to people from Khandwa. He contacts them and gets the key info that there is a nearby village called Ganesh Talai - the 'Ginestlay' of 5-year-old Saroo! Saroo soon goes to India and reconnects with his birth family to the great delight of his elderly mother Kamala and his siblings Shekila and Kallu, who are now married with children. Sadly, Guddu, his eldest brother whom he adored as a child, was killed in an accident just on the same day that Saroo got lost 25 years before. Otherwise, it is a happy resolution for Saroo.

Not only Saroo, but his Aussie parents, Sue and John as well, come off as wonderful, loving and caring parents and individuals. Sue herself was a WWII refugee from Hungary and her story is also inspring as told it in the book. Saroo's birth mother Kamala is another remarkable woman, who never gave up hope that her son Sheru (which is his correct name!) would return one day. Hence she never moved from the shack where she lived so that she will be there when Saroo comes back! The other heroes in the book are the internet, Google Earth and Facebook! It is a great tribute to these wonderful technologies which make it possible for the adult Saroo to sit ten thousand miles away in Hobart, Australia and exactly locate the water tower and overpass of his childhood memory and find out the correct name of his village. Let no one denounce technology again!

I found the book moving, inspirational and one of hope and the indomitable spirit of the humankind. It is a story of triumph against great odds. Going through the early chapters where Saroo survives for six weeks as a five-year-old in Calcutta, I had palpitations as I felt anxious that nothing terrible should befall young Saroo! The book also has a special appeal for me since I grew up in India and lived for 13 years in wonderful Australia.

39 of 45 people found the following review helpful.
Amazing!
By Smiley
This was simply the most amazing story on so many levels.

Back in 1986 five year old Saroo made a last minute decision to accompany his older brother on a short train trip to a nearby town in rural India. Although he was supposed to be babysitting his baby sister, Saroo risked his mother's wrath and left his humble home, not realising just what a journey he was about to make. Instructed to wait on the platform by his older brother, young Saroo was scared and confused when his older brother failed to return in the specified time. Deciding to make his own way home he hopped onto a waiting train - a train that would end up taking him half way across the country and far, far away from his family.

Alone on the streets of Calcutta, Saroo lives by his wits for several weeks before being rescued by a caring woman who runs a nearby orphanage. Although attempts were made to locate Saroo's family, the task was basically impossible given that they were so far away and young Saroo had so little information to give them. Within weeks Saroo is adopted by an Australian couple and is soon on his way to a new life in Hobart.

Although Saroo's life in Australia is a wonderful and fulfilling one, he cannot forget the family he left behind. Yet, he has so little to go on - just his own childish memories of the name of his own small village and the nearby town where he boarded the train. Then one day he comes across Google Earth and for the first time he realises he may just find his family after all. It is not an easy search though, it literally takes years of painstaking searching branching out from Calcutta and tracing every possible train route. But then one day everything falls into place - before his eyes is the train station he can still clearly remember with it's distinctive landmarks. Against ridiculous odds, Saroo finally found his childhood home.

This is a simply written book but I was captivated right from the first page. It seemed unimaginable that a five year old child could not only get through such a traumatic and frightening experience but had the street smarts to survive against many significant dangers.

Even if you have no belief in fate or destiny, I think it would be impossible not to be moved by this amazing story.

18 of 21 people found the following review helpful.
Almost Great
By Space Salamander
This is, by its nature, a fascinating story. You don't need much more than the simple description on the cover to understand why-- it's a crazy premise that came to fruition thanks to modern technology.

The problem is that Saroo isn't a writer. The writing has no real style, and practically no dialogue or character development. I understand this must have been put together very quickly to capitalize on all the media going on around him, but it could have been a truly great book if he'd worked with a ghostwriter/co-author. As it stands, it's still an interesting book, but not one that kept me up at night or that I think I'll remember in any detail years from now. I was left wishing he'd gone deeper into the characters-- the descriptions are surface-y and never really let you hear anyone's voice.

That said, I admire Saroo quite a bit for his ability not only to survive, but to have a healthy attitude about all of it, to want to help his family and other orphaned kids in India, and to appreciate what his adoptive family did for him. He seems like a good guy who lived an extraordinary circumstance without really grasping just HOW extraordinary until he realized that the whole world wanted to know his story.

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Sabtu, 17 Juli 2010

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Drawing Men to God, by S Woodruff

Get your men's ministry off to a great start with this manual that helps you develop better men - not just better methods. By following this six-point plan, committed men in your church will receive practical guidance in becoming trustworthy leaders, grow in their commitment to discipleship, and draw others into deeper fellowship. Men will connect with God, their pastor, and one another as they strive for a common goal.

  • Sales Rank: #2824049 in Books
  • Brand: Brand: Broadman n Holman Publishers
  • Published on: 2007-11-15
  • Ingredients: Example Ingredients
  • Binding: Paperback
  • 128 pages
Features
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Kamis, 15 Juli 2010

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Student Solutions Manual for Nonlinear Dynamics and Chaos, 2nd edition, by Mitchal Dichter

This official Student Solutions Manual includes solutions to the odd-numbered exercises featured in the second edition of Steven Strogatz’s classic text Nonlinear Dynamics and Chaos: With Applications to Physics, Biology, Chemistry, and Engineering. The textbook and accompanying Student Solutions Manual are aimed at newcomers to nonlinear dynamics and chaos, especially students taking a first course in the subject. Complete with graphs and worked-out solutions, this manual demonstrates techniques for students to analyze differential equations, bifurcations, chaos, fractals, and other subjects Strogatz explores in his popular book.

  • Sales Rank: #364887 in Books
  • Published on: 2016-08-02
  • Original language: English
  • Dimensions: 10.90" h x .90" w x 8.40" l, .0 pounds
  • Binding: Paperback
  • 404 pages

From the Back Cover
This official Student Solutions Manual includes solutions to the odd-numbered exercises featured in the second edition of Steven Strogatz’s classic text Nonlinear Dynamics and Chaos: With Applications to Physics, Biology, Chemistry, and Engineering. The textbook and accompanying Student Solutions Manual are aimed at newcomers to nonlinear dynamics and chaos, especially students taking a first course in the subject. Complete with graphs and worked-out solutions, this manual demonstrates techniques for students to analyze differential equations, bifurcations, chaos, fractals, and other subjects Strogatz explores in his popular book.

Mitchal Dichter is an instructor of math at Campus Learning Assistance Services at the University of California, Santa Barbara.

About the Author
Mitchal Dichter is an instructor of math at Campus Learning Assistance Services at the University of California, Santa Barbara.

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Paul Rand (1914-1996) was a pioneering figure in American graphic design whose career spanned almost seven decades. Always enquiring and investigating, he explored the formal vocabulary of European avant-garde art movements and synthesised them to produce a distinctive graphic language. Rand was a major force in editorial design, advertising and corporate identity. He was art director at "Esquire" and "Apparel Arts" magazines, and he designed the ground-breaking covers for the cultural journal "Direction". He worked at the Weintraub Advertising Agency from 1941-1954 and, in 1955, established his own design studio, acting as consultant to companies such as IBM, Westinghouse and UPS. His logos for these companies are world-renowned design classics. This book comprises a definitive collection of Rand's works, through an exploration of his advertising, publishing and corporate identity work. Steven Heller's text, with a foreword by designer Armin Hofmann, introduction by advertising guru George Lois, and a concluding essay by designer and writer Jessica Helfand, offer an insight into Paul Rand's work.

  • Sales Rank: #2132959 in Books
  • Published on: 1999-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.39" h x 10.21" w x 11.72" l,
  • Binding: Hardcover
  • 255 pages

Amazon.com Review
IBM, UPS, ABC. If these acronyms ring a bell, their ubiquitous logos springing instantly to mind, then you know the work of Paul Rand (1914-1996), the Picasso of Graphic Design. A pioneer in the field of visual communication, Rand developed a fresh and individual design language drawn from European art movements including Russian constructivism, de Stijl, and the Bauhaus. His career as an art director, teacher, writer, and design consultant to major corporations spanned almost seven decades. Rand arguably got his start at the tender of 3 when he first began to secretly copy pictures of the attractive Palmolive models pictured in advertising displays in his father's grocery store in Brooklyn, New York. He later modeled his aesthetic on avant-garde artists like Paul Klee, El Lissitzky, and architect Le Corbusier, each of whom advocated a timeless spirit in design. Rand began his career in an era when working by hand was a given, a reality that would change before his eyes as the mass media, entertainment, and consumer industries were revolutionized by increasingly technical equipment, and ultimately the computer.

Steven Heller, senior art director at The New York Times and prominent author of numerous design books, presents this meticulously researched and detailed survey, which marks the first complete retrospective of Rand's powerful body of work, exploring the full range of his advertising, publishing, and corporate identity projects. Eminent designer Armin Hofmann writes the forward, and the introduction is penned by advertising legend George Lois, who writes, "The constant concern of the scholarly and humanistic Paul Rand was to create images that snared people's eyes, penetrated their minds, warmed their hearts and made them act." Appropriately, the designers of this large, bold, beautifully designed book seem well versed in Randism themselves, creating a gorgeous tribute to this quintessential artist's artist. Rand's uncanny ability to inject wit and whimsy into the corporate vocabulary is echoed here, for example, in an enlarged reproduction of an opened children's book whose spine is aligned with that of the actual book held by the reader, creating a playful trompe l'oeil effect. At 255 pages, with a staggering 452 illustrations (over 300 in color), this book is a delightful and inspiring must-have. --A.C. Smith

Review
Heller's text ... offers a suitably reticent commentary , quiet bits of explanation and brief historical contexts--a concisely informative and deeply informed professional appreciation. -- The New York Times Book Review, Bernard Sharratt

About the Author
Steven Heller is the art director of the NY Times Book Review and co-chair of the MFA Design program at the School of Visual Arts. He is the editor of the AIGA online journal, VOICE. He is a contributing editor to PRINT, EYE, Baseline, and ID. He writes frequently for Metropolis and other design magazines. He is author, co-author, and editor of over 90 books on design and popular culture.

George Lois, a native New Yorker, joined Doyle Dane Bernbach as an art director in 1958 and started his first agency in 1960. He is the recipient of an AIGA Gold Medal, among other honours, and the author of two books on advertising. He continues to consult for major corporations.

Jessica Helfand is a partner at Winterhouse, a design collaborative in New England, and a founding editor of "Design Observer," She teaches in the graduate program in graphic design at Yale University and has written several books on design and cultural criticism. She lives in Falls Village, CT.

Most helpful customer reviews

0 of 0 people found the following review helpful.
The Late Great Paul Rand
By Jonny B
If you know anything about design, the words Paul Rand retain some meaning for you. It may be vague, perhaps one of your professors recommended you look him up, maybe one of your design icons listed him as an influence.

Or quite likely you have seen some of his work, and never knew the man behind such world famous, global dominating logos. This has to be the most in depth Paul Rand book I have read, and I have borrowed many from various libraries. Which inclines me to say that if the history of design has ever intrigued you or you just like Mr.Rands work, then this is probably the best choice for you. Not only does it have a ton of images but it's probably the best bang for you buck as far as Rand books go.

11 of 12 people found the following review helpful.
Buy a Magnifying Glass
By R.M.F.
This is a pretty thorough book on a graphic design icon. Unfortunately, the book is typeset very poorly in an 8pt serif font. Reading more than a few pages at a time strains your eyes and results in a headache - ironic considering Rand was a firm believer in usable design.

Lots of full color samples of Rand's work to coincide with the text, which is nice.

Overall, this book is a great resource. It's too bad the type is so difficult to read.

0 of 0 people found the following review helpful.
great book
By José Antonio de Oliveira
This is about one of the best graphic designers of all times and it's complete. A very beautiful book. Great buy!

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Selasa, 29 Juni 2010

[Z497.Ebook] Ebook Free Live Fast, Love Hard: The Faron Young Story (Music in American Life), by Diane Diekman

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Live Fast, Love Hard: The Faron Young Story (Music in American Life), by Diane Diekman

 One of the best-known honky-tonkers since Hank Williams, Faron Young was a popular presence on Nashville's music scene for more than four decades. The Singing Sheriff produced a string of Top Ten hits, placed more than eighty songs on the country music charts, founded the long-running country music periodical Music City News in 1963, and was inducted into the Country Music Hall of Fame in 2000. Flamboyant, impulsive, and generous, he helped and encouraged a new generation of talented songwriter-performers that included Willie Nelson and Bill Anderson. Presenting the first detailed portrayal of this mercurial country music star, Diane Diekman masterfully draws on extensive interviews with Young's family, band members, and colleagues. Echoing Young's characteristic ability to entertain and surprise fans, Diekman combines an account of his public career with a revealing, intimate portrait of his personal life.

  • Sales Rank: #1089553 in Books
  • Published on: 2012-01-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .90" w x 6.00" l, .95 pounds
  • Binding: Paperback
  • 296 pages

Review
 "Incorporating published accounts, interviews, and personal insights, this balanced book is important in keeping the memory of a chart-topping country artist alive and in putting the country music scene of the period into perspective. Recommended."--Library Journal "Finally someone's written the story of Faron Young's life, one of country music's most colorful characters."--Nashville Musician

 "His is a rich story, spanning the golden age of honky-tonk, women, liquor, ruin and glory, and no small entrepreneurial spirit. . . . Diekman is scrupulous and meticulous in her assemblage of details. . . . Young's family and surviving friends seem to have given her ready access and unflinching honesty."--No Depression "Diane Diekman . . . takes us on a journey from his early life, through the recording successes, the failed marriage, the career downturn, the depression and, finally, to that fateful night . . . when he put the pistol to his head."--Country Music People

"Live Fast, Love Hard,  a sobering account of the Singing Sheriff's roller-coaster life that ended with his 1996 suicide, tells the tale of two Youngs: one, a talented, flamboyant performer and charitable man who helped the community and struggling songwriters like Willie Nelson and Bill Anderson, and who helped country music by founding the long-running periodical Music City News; the other, a raging alcoholic and jealous husband with an explosive temper, whose addiction and poor self image . . . led him to abuse and cheat on his wife, and verbally abuse his children, band members, and friends when he was drinking. . . . Diane Diekman . . . provides readers a rare glimpse inside the tumultuous life of this talented and troubled musician."--Dirty Linen

About the Author
Diane Diekman is the author of Twentieth Century Drifter: The Life of Marty Robbins;Navy Greenshirt: A Leader Made, Not Born; and A Farm in the Hidewood: My South Dakota Home. A retired U.S. Navy captain, she was acquainted with Faron Young for 26 years before his death in 1996.

Most helpful customer reviews

21 of 21 people found the following review helpful.
One Of The Best Biographies Ever!!! WOW!
By Frank the Biography Fan
This is one of the best biographies I have ever read about anyone. This book is very well-written, as it portrays Faron Young as a person first. Many biographies about musical artists talk way too much about the music, and not enough about the person. Faron Young's music speaks for itself. However, no one has ever known that much about his life, other than that he was a colorful character who sang country music, used salty language and drank too much. Diekman paints a much more detail picture of an outwardly simple, yet internally very complex man. As you read this book, you will feel the tremendous highs and lows that Young went through in his happy yet often painful life. You will also feel the alternating sense of fun and nervous tension that friends and family felt around him. Once I started reading this book, I could not stop. And while I like Faron Young music, I am not what one would consider to be a die-hard fan. This book took me back through Young's life, as well as the lives of those around him. It is also sad to see how such a super talent died so sad and bitter. But after reading this terrific book, I understand why he died as he did. I have read thousands of bios on everyone from John Adams to Patsy Cline. This is definitely in the top three. It is simply WONDERFUL................It reads great, and paints such a illustrative picture of a man who, I thought I knew a little about........but after reading this book, I realize how little I really knew! I'm gonna read it again, and then go out and buy some Faron Young music. BRAVO!

13 of 13 people found the following review helpful.
The Beauty of Truth
By Gary Presley
What appeals to me as a reader -- and what I admire about Diane as a writer and biographer -- is that Faron is revealed as a "man in full." Faron possessed a magical voice, a gift for entertaining, an appreciation for his artistic abilities, but he apparently was also possessed by the demons of depression.

Years of research, and a compassionate understanding of the man behind the music, gives readers (and history) a book wherein Diane examines Faron's life and death, never hiding sad truths that sometimes leave a reader reeling, but yet we know she loved and respected the man and his art.

~ Gary

9 of 9 people found the following review helpful.
A Man of Contradictions
By Sam Sattler
Faron Young, who is today one of the more underestimated country singers of his generation despite his long career and many hit records, was a hard man for even his friends to peg. That is because, as so aptly described by Diane Diekman in her Faron Young biography, "Live Fast, Love Hard: The Faron Young Story," he was a man of strong contradictions.

Faron Young was one of the nicest men in the world but he was one very mean drunk and no one wanted to be around him when he was drinking heavily (and that was much of the time). He was extremely generous to those who had less then him (often they were songwriters on the way up, such as Willie Nelson) and were in need of a few hundred dollars to tide them over, but was known to refuse his road band the extra five dollars a day that would have made all the difference in the world to them. He loved his children and considered himself to be a good family man but he made it a point to speak of his youngest daughter as his "only little girl" and never publicly acknowledged the other daughter he had out of wedlock or how terrible his relationship with his oldest sons really was. Faron could curse like a sailor, and he usually did, but would behave respectably around the wives of his band members. He had lots of longtime friends and he had lots of longtime enemies. He was an astute businessman who made some terrible business decisions that cost him a whole lot of money.

All of these contradictions, taken as a whole, are probably why so many people explained their toleration for Young's behavior by saying, "That's just Faron." Connie Smith used those words to explain how someone with her temperament could endure working on the road with the fast-living Faron Young. And even Jean Shepard, as brash as she sometimes appears to be, finally refused to go on the road with him any longer.

Longtime Faron Young fans who witnessed him in his prime will probably still find some surprises in, or have their memories nudged by, Diane Diekman's well-researched and detailed biography. She reminds us that Faron was founder of the influential Music City News and reveals just how much personal money he put into the newspaper in order to keep it afloat long enough for it to pay its own way. Her readers also learn that he would have had more hit records, and number ones, if he had not refused to let his label use payola to move his records up the charts the way record labels bought higher chart positions for so many other singers.

And that is just the beginning of what is packed into "Live Fast, Love Hard." The book covers the childhood that may explain Faron's own cold approach to fatherhood, the national, though bogus, scandals that damaged his career, his failed marriage, and his tragic death at his own hand. About the only thing missing is a comprehensive discography of Faron's recordings, although the book does mention most, if not all, of his record albums and notes which ones include his biggest hits.

So this is a book both for those who are already fans of Faron Young's great voice and for those to whom he is hardly more than a name from country music's past. Put a copy of "Wine Me Up" on the turntable, grab a cold one, prop your boots up on the foot stool, and enjoy this book. If you're not already a Faron Young fan, you probably will be by the time you finish "Live Fast, Love Hard."

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Senin, 28 Juni 2010

[W737.Ebook] Download PDF Myanmar Architecture: Cities of Gold, by Ma Thanegi

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Myanmar Architecture: Cities of Gold, by Ma Thanegi

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Myanmar Architecture: Cities of Gold, by Ma Thanegi

Spanning a period of more than a thousand years, Myanmar Architecture captures the historical essence of a rich culture influenced by trade, Buddhism and colonialism.

From ruined temples that are all that remain of the long-lost Pyu to the magnificent richness of the bejewelled, golden form of the Shwedagon Pagoda, Myanmar is home ot some of the most magnificent structures ever built. Splendid ruins dot the plains of Mrauk U and there is no other place quite like Bagan, the kingdom of the Four Thousand Temples. Behind the facades of the royal cities of Ratnapura, Amarapura and Yadanabon is a marvellous history of kings and ancient customs. Explore the traditions that dictate every fine detail in the design, construction and decoration of palaces, places of worship and even ordinary homes. See how colonial influences have left their mark in the modern cities of Mandalay, Yangon and Mawlamyine.

Myanmar Architecture represents a rare chance to gain an insight into the rich traditions, culture and history of a country long-hidden from the outside world. Full-colour photographs capture the ancient spirit of this beautiful land an informative text reveals the secrets behind its architectural treasures.

  • Sales Rank: #3428936 in Books
  • Published on: 2005-06
  • Original language: English
  • Dimensions: .87" h x 10.16" w x 10.28" l,
  • Binding: Hardcover
  • 192 pages

About the Author
Ma Thanegi was born in Myanmar and educated at the Methodist English High School, the State School of Fine Arts and the Institute of Economics. She is a painter who has exhibited with group shows since 1967 and has had several exhibitions of her own. She is a contributing editor at The Myanmar Times, an English language weekly, and editor of Enchanting Myanmar, a travel magazine. She is the author of The Illusion of Life: Burmese Marionettes, The Native Tourist: In Search of Turtles, Paw Oo Thet: His Life and Creativity, An Introduction to Myanmar Cuisine nad Inle: Blue Sea in the Shan Hills. She lives in Yangon, Myanmar.

About the photographer
Barry Broman is a retired American diplomat who received a Bachelor of Arts in Political Science and a Master of Arts in Southeast Asian studies from the University of Washington. He worked as a photographer for the Associated Press in Southeast Asian and served as an infantry officer in the United States Marine Corps in Vietnam. He is the photographer of Irrawaddy: Benevolent River of Burma and Spiritual Abodes of Thailand and also produces documentary films on Asian subjects.

Most helpful customer reviews

3 of 3 people found the following review helpful.
A Beautiful Book about Mysterious Myanmar
By L. Young
I purchased this book in preparation for a trip to Myanmar and I was not disappointed. It's photographs are stunning as it explores the architectual splendors of this mysterious place.

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