PDF Ebook Rough Justice: The DC Comics Sketches of Alex Ross (Pantheon Graphic Novels), by Alex Ross
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Rough Justice: The DC Comics Sketches of Alex Ross (Pantheon Graphic Novels), by Alex Ross
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Alex Ross opens his private sketchbooks to reveal his astonishing pencil and ink drawings of DC Comics characters, nearly all of them appearing in print here for the first time.
Thousands of fans from around the world have trilled to Alex’s fully rendered photo-realistic painting of their favorite heroes, but as they may not realize, all of those works start as pencil on paper, and the origins of the finished images are rarely seen. Until now.
From deleted scenes and altered panels for the epic Kingdom Come saga to proposals for revamping such classic properties as Batgirl, Captain Marvel, and an imagined son of Batman named Batboy, to unused alternate comic book cover ideas for the monthly Superman and Batman comics of 2008-2009, there is much to surprise and delight anyone who thought they already know all of Alex’s DC Comics work.
Illuminating everything is Alex’s own commentary, written expressly for this book, explaining his though processes and stylistic approaches for the various riffs and reimaginings of characters we thought we knew everything about but whose possibilities we didn’t fully understand.
As a record of a pivotal era in comics history, Rough Justice is a must for Alex’s legion of fans, as well as anyone interested in masterly comic book imagination and illustration.
- Sales Rank: #118436 in Books
- Published on: 2010-03-30
- Released on: 2010-03-30
- Original language: English
- Number of items: 1
- Dimensions: 11.34" h x 1.24" w x 8.80" l, 2.65 pounds
- Binding: Hardcover
- 224 pages
From Booklist
Ross’ ultrarealistic, painted renditions of iconic superheroes have made him a superstar of the comic-book world. In this selection from his sketchbooks, his legions of fans can view some of the bases of his finished works. The drawings include layouts for published and rejected covers as well as story pages for such DC mainstays as Superman and Batman and Ross’ grandiose Kingdom Come series. There are also sketches for noncomics work—among them, the ALA posters showing DC’s iconic heroes enjoying books in outer space, in the Batcave, and on Paradise Island—and character designs, including suggested revampings of Captain Marvel and Batman that didn’t make it past the proposal stage. These pencil and occasionally ink renderings possess less elegance but more dynamism than the glossy end products, and they accentuate Ross’ powerful compositions. Ross provides commentary for the drawings, explaining his conceptual intentions. Edited and designed by Chip Kidd—no slouch in the design world himself—the volume opens the curtain on Ross’ creative process, revealing the sinews that underlie his acclaimed paintings. --Gordon Flagg
Review
“For any artists wanting to break into comics, Rough Justice is a visual treasure trove to guide them, as surely as any by Da Vinci or Michelangelo. But more important, it’s a volume that gives comics fans a rare opportunity to celebrate a top artist in action. Alex Ross is a master shaper of superhero worlds.”
—denofgeek.com
About the Author
ALEX ROSS studied illustration at the American Academy of Art in Chicago, then honed his craft as a storyboard artist before entering the comics field. His 1993 miniseries Marvels created a wider acceptance for painted comics. He moved on to DC Comics to produce the equally successfulKingdom Come, the Earth X projects for Marvel, and a series of tabloids for DC, which have been collected in The World’s Greatest Super-Heroes. Receiving critical acclaim and multiple awards for these best-selling works, Ross made a name as both an artist and a storyteller, dedicating himself to bold experiments within the comics medium. Most recently he has worked on Flash Gordon andThe Shadow for Dynamite Entertainment. His non-comics work includes creating the poster for the 2002 Academy Awards, the opening credits for Spider-Man 2, and multiple covers for TV Guide. Ross lives in the Chicago area.
CHIP KIDD is the four-time Eisner Award–winning designer and author of Batman: Animated, Peanuts: The Art of Charles M. Schulz, and Mythology: The DC Comics Art of Alex Ross. As an editor of graphic novels for Pantheon Books, he has worked with some of the very best talents in the medium, including Chris Ware, Dan Clowes, Art Spiegelman, Charles Burns, and David Mazzucchelli. Kidd is also the recipient of the National Design Award for Communications, the design industry’s highest honor. His first graphic novel as author is Batman: Death by Design, published by DC Comics and featuring art by Dave Taylor.
Most helpful customer reviews
38 of 38 people found the following review helpful.
5 out of 5 pencils
By Parka
[[VIDEOID:mo36SMHKRZ41PGY]]I would say this book is as good as Mythology: The DC Comics Art of Alex Ross, his other art book featuring his paintings.
In this book, we see the groundwork he lays for those paintings. There are sketches storyboards and layouts, character designs, covers and hand scribbled notes. Many of the sketches, like various iterations for covers, are appearing from the first time. And it's not really all black and white, there are a few pieces painted quickly with colour for quick colour tests. I've to add that the scans are really good also, showing off the marvelous shading and grain.
You get to see the final pencil stage, before shadows and paint are added, as he focuses on the contours and surfaces. The usual powerhouse cast of DC characters are all in: Batman, Superman, Wonder Woman, Aquaman, The Flash, Green Lantern, Black Canary, and many more. But it's not all character art. There are also design sketches for the Justice Batmobile, logo designs and concepts he did for a literacy campaign (which shows Batman hanging from a stone gargoyle from some skyscraper while reading a book).
The drawings look really quite different without the colours and I could barely recognise to compared with the original paintings from his previous book. But make no mistake, the same flair and realism is still there on every page. You can still see the intense attention paid to the detail of musculature, composition, lighting, facial expression, drapery and mood.
There's also commentary by Alex Ross himself, in addition to the hand scribbled notes. He talks about his designs, the creative process and on why some ideas just didn't make the cut.
Highly recommended to fans and comic artists.
(More pictures are available on my blog. Just visit my Amazon profile for the link.)
5 of 5 people found the following review helpful.
Absolute Awesome Sketches
By bat fan
I was really looking forward to this since first hearing about it. This really is an excellent companion to any of Ross's other books , being that this book is mostly pencil renderings with a few colored works. It also gives Alex's own personal insight on a lot of the projects that did and didn't make it past the proposal stage. That to me is really some of the coolest stuff because this might be the only real chance to see some of that work that isn't going anywhere. (Alex's rework of Captain Marvel) . If you are a fan of Alex's work or concept ideas in comics, then you should pick this book up !
3 of 3 people found the following review helpful.
I like it ROUGH
By By Mark Braun
Chip kidd designed a hardbound collection of Alex Ross's concepts, which turns out to be spectacular stuff indeed.
I am WOWed by this and so glad that it graces my book collection: This is what the "process" actually is, and rarely do we have this type of insight into what could be.
I was impressed by a weird spread, typical Kidd stuff: an extreme blow up of what was probably faxed Ross sketches of two heroines. That kind of stuff is what makes Chip Kidd the patron saint of book designers: he catches something mysteriously there but overlooked in the pencil lines, the xeroxed image and the flair of a brushstroke: everything that is the soul of the work. Here it is all over again, the Kidd touch to homage an artist's work, and like his PEANUTS collections, showing us that he's at an atomic level of examination of the work.
Ross contributes notes on it all, which shows where the good ideas generate and why.
If eery picture tells a story, ROUGH JUSTICE is a lot of stories. Your fav fanboy will adore this! I sure do!
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